"Three Unidentified Titles" by Traditional, Musical Boxes had its release date on January 1, 1984. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Three Unidentified Titles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Three Disc Symphonion". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Three Unidentified Titles's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Three Unidentified Titles by Traditional, Musical Boxes having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Old American Songs, Book 1: IV. Simple Gifts (Arr. I. Fine for Chorus) | Aaron Copland, Nathaniel Stampley, St. Charles Singers, Elgin Symphony Orchestra, Robert Hanson | A♭ Major | 1 | 4B | 168 BPM | ||
| Otcze Nasz | St. Peter St. Paul Cathedral Choir of Minsk | C Major | 0 | 8B | 84 BPM | ||
| Dies irae | Traditional, Monks Of The Abbey Of Notre Dame | B Minor | 0 | 10A | 126 BPM | ||
| Pat-a-Pan | Young Women's Chorus of San Francisco | A Minor | 1 | 8A | 87 BPM | ||
| Joyful, Joyful We Adore Thee | Henry Van Dyke, Ludwig van Beethoven, Edward Hodges, Choir of Jesus College, Cambridge, Richard Pinel | A Major | 2 | 11B | 112 BPM | ||
| Cantos para Meditar | Musica Catolica Gregoriana | D Minor | 0 | 7A | 68 BPM | ||
| Ideo Gloria | Lydia McCauley | D Major | 3 | 10B | 119 BPM | ||
| Sing Gently | Eric Whitacre, Adrian Kirtley, 2021 Chamber, Timber Creek HS Chamber | B Major | 1 | 1B | 77 BPM | ||
| Quis est homo | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | D Major | 2 | 10B | 113 BPM | ||
| Messe brève No. 7: IV. O Salutaris Hostia | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D♭ Major | 2 | 3B | 97 BPM | ||
| Wait for the Lord | The Songs of Taize Session Singers | E Minor | 1 | 9A | 72 BPM | ||
| Takach: ’Twas in the Moon of Wintertime | Timothy C. Takach, Ames Chamber Artists | G Major | 1 | 9B | 91 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Pūt, vējiņi! | Choir "Sōla" | F Major | 1 | 7B | 143 BPM | ||
| Missa Festiva (Sanctus) | John Leavitt, Pěvecký sbor Stojanova gymnázia Velehrad, Cimbálová muzika Stojanova gymnázia Velehrad | D Major | 3 | 10B | 69 BPM | ||
| Wonderful Peace | Gustaf Nordqvist, Kerani | C Major | 2 | 8B | 88 BPM | ||
| Jumalaga | Kammerkoor Head Ööd Vend | G Minor | 1 | 6A | 80 BPM | ||
| Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | G Minor | 0 | 6A | 144 BPM | ||
| Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
| What Can I Give Him | The Choir of All Saints' Episcopal Church | F Major | 1 | 7B | 113 BPM | ||
| Hymen I | Magalí Sare, Cor Bruckner Barcelona | F♯ Major | 0 | 2B | 75 BPM | ||
| Within Our Darkest Night | The Songs of Taize Session Singers | E Minor | 1 | 9A | 128 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Traditional: Ad Completorium: Canticum Simeonis "Nunc dimittis" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F Major | 0 | 7B | 88 BPM | ||
| Riu, Riu, Chiu | Bartolomé Cárceres, Massimo Marchese, Ugo Nastrucci | D Minor | 1 | 7A | 128 BPM |