Ralph Benatzky, Hans Richter's ' "Im weissen Rössl: Dialog (Sigismund)" was released on its scheduled release date, January 22, 2015. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 33 in Benatzky: Im weissen Rössl by Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Gretl Schörg, Willy Hofmann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Im weissen Rössl: Dialog (Sigismund)'s popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Im weissen Rössl: Dialog (Sigismund) by Ralph Benatzky, Hans Richter is Vivace (lively and fast), since this song has a tempo of 157 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Der Mann mit dem Fagott | Udo Jürgens | D Minor | 2 | 7A | 80 BPM | ||
| Giselle - Act 1: No. 5 La mère de Giselle entre - No. 5(bis) La Chasse (I) | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | F Major | 1 | 7B | 94 BPM | ||
| You Are My Heart's Delight | Richard Tauber | D♭ Major | 2 | 3B | 91 BPM | ||
| Merci, mon ami | Bruno Balz, Michael Gesell, Kurt Schwabach, Michael Jary, Hans Schachner, Peter Fenyes, Hans Fritz Beckmann, Theo Mackeben, Ralph Maria Siegel, Detlef Sierck, Lothar Brühne, Ralph Benatzky, Hans Weigel, Cole Porter, Zarah Leander, Bavarian Radio Symphony Orchestra, Eugen Jochum | E♭ Major | 1 | 5B | 110 BPM | ||
| Mattinata (Frühlingserwachen) | Rudolf Schock | B Major | 2 | 1B | 60 BPM | ||
| Im weissen Rössl: "Im Salzkammergut" (Siedler, Gieseke) | Ralph Benatzky, Kölner Tanz- Und Unterhaltungsorchester, Franz Marszalek, Franz Fehringer, Bruno Fritz | A♭ Major | 4 | 4B | 98 BPM | ||
| Camarade, Polka, Op. 197 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 3 | 6B | 96 BPM | ||
| Wiener Bürger, Walzer, Op. 419 | Carl Michael Ziehrer, Christian Thielemann, Wiener Philharmoniker | C Major | 1 | 8B | 97 BPM | ||
| Transylvanian March and Embassy Waltz from 'My Fair Lady': Transylvanian March and Embassy Waltz from 'My Fair Lady' | Frederick Loewe, John Wilson, Sinfonia Of London | E Major | 1 | 12B | 68 BPM | ||
| Cosmic Serenade | Astrid Voix | D Major | 3 | 10B | 100 BPM | ||
| Swiss Boy | Cedric Dumont, Cedric Dumont Orchestra, Arturo Chaite Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss Orchestra, The Monty Kelly Orchestra, Morton Gould Orchestra, New Concert Orchestra, New Symphony Orchestra, Orchestre Raymonde, Palace Theatre Symphony Orchestra, Ray Ventura Orchestra, Reg Owen Orchestra, Richard Hayman Orchestra, The Rochester Pops, Stuttgart Radio Orchestra, The Melachrino Orchestra | D Major | 3 | 10B | 117 BPM | ||
| Die Mädis vom Chantant (From "The Gypsy Princess") | Emmerich Kálmán, André Rieu, Johann Strauss Orchestra | C Major | 5 | 8B | 124 BPM | ||
| Im weissen Rossl (White Horse Inn), Act II: Im Salzkammer gut, da ka'mer gut lustig sein | Ralph Benatzky, Mathias Hausmann, Ingeborg Schöpf, Marco Jentzsch, Klaus-Dieter Lerche, Anja Katharina Wigger, Serge Falck, Ina Nadine Wagler, Albert Rueprecht, Rafael Schuchter, Gerhard Rak, Markus Puchberger, Harald Serafin, Mörbisch Festival Choir, Morbisch Festival Orchestra, Rudolf Bibl | D♭ Minor | 1 | 12A | 80 BPM | ||
| Wiener Praterleben (Sportpalastwalzer) | Siegfried Translateur, André Rieu, Johann Strauss Orchestra | D Major | 4 | 10B | 70 BPM | ||
| Suite for Variety Orchestra: V. Lyric Waltz | Dmitri Shostakovich, Singapore Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 70 BPM | ||
| Persian March, Op. 289 | Johann Strauss, Bonn Classic Ensemble | A Minor | 2 | 8A | 178 BPM | ||
| Ach so fromm | Fritz Wunderlich | F Major | 1 | 7B | 86 BPM | ||
| Priesterchor aus der Oper " Die Zauberflöte " | Menskes Chöre | D Major | 2 | 10B | 151 BPM | ||
| Quadrille No. 1 in F Minor | Michał Kleofas Ogiński, Belarus Chamber Orchestra of the National Academic Concert Orchestra of Belarus | G Major | 6 | 9B | 131 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| Nabucco: Zieht, Gedanken | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | D♭ Major | 1 | 3B | 99 BPM | ||
| Helden-Gedichte, Op. 87: Heldengedichte, Walzer, Op. 87 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Manfred Müssauer | E♭ Major | 1 | 5B | 96 BPM | ||
| Quecksilber (Polka schnell) | Carl Millöcker, Nürnberger Philharmoniker, Christian Simonis | D Major | 4 | 10B | 114 BPM | ||
| Elisabethan Serenade | London Festival Symphony Orchestra | F Major | 2 | 7B | 152 BPM | ||
| Thespis: No. 3 Valse | Arthur Sullivan, RTE Concert Orchestra, Andrew Penny | G Major | 0 | 9B | 87 BPM |