Usha Mangeshkar, Mohammed Rafi's 'Chanda Mama Se Pyara Mera Mama Sad' had a release date set for May 11, 1979. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Chanda Mama Se Pyara Mera Mama Sad's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Laxmikant–Pyarelal, Verma Malik, Kafeel Aazar's "Kartavya" album is number 8 out of 8. In terms of popularity, Chanda Mama Se Pyara Mera Mama Sad is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanda Mama Se Pyara Mera Mama Sad by Usha Mangeshkar, Mohammed Rafi to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tum Besahara Ho - Sad | Manna Dey, Laxmikant–Pyarelal | D Major | 9 | 10B | 123 BPM | ||
| Ab Ke Baras | Mahendra Kapoor, Laxmikant–Pyarelal | F♯ Major | 6 | 2B | 94 BPM | ||
| Aukat Meri Kya Hai | Bappi Lahiri | A Major | 6 | 11B | 89 BPM | ||
| Bhala Karnewale Bhalai Kiye Ja | Mohammed Rafi | F Minor | 2 | 4A | 145 BPM | ||
| Apna Banake Sapna Dikha Ke | Anuradha Paudwal | B Major | 1 | 1B | 159 BPM | ||
| Raha Gardishon Mein Hardam - Jhankar Beats | Hero And King Of Jhankar Studio, Mohammed Rafi | C Minor | 7 | 5A | 95 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Chal Musafir Chal-Pradeep | Pradeep Kumar | D♭ Minor | 2 | 12A | 107 BPM | ||
| Chitthi Aai Hai | Pankaj Udhas, Laxmikant–Pyarelal | C Major | 7 | 8B | 83 BPM | ||
| Ek Do Dus Upar Se Aai Bus | Kamal Barot, Suman Kalyanpur, Kalyanji-Anandji | D♭ Major | 4 | 3B | 137 BPM | ||
| Saudagar Sauda Kar | Manhar Udhas, Kavita Krishnamurthy, Sukhwinder Singh, Laxmikant–Pyarelal | A Major | 6 | 11B | 143 BPM | ||
| Adayen Tir Hai Andaz Nirale Hain (From "Jungle Princess") | Mubarak Begum, Jani Babu, Aziz Ghazi | G Minor | 5 | 6A | 159 BPM | ||
| Jamuna Mein Kude Shyam | Piyusha-Kailash Anuj | A♭ Minor | 6 | 1A | 100 BPM | ||
| Kurta Malmal Ka | Alka Yagnik, Mahendra Kapoor, Udit Narayan | A♭ Minor | 9 | 1A | 101 BPM | ||
| Ankhiyan Gulabi Jaise-Duet | Lata Mangeshkar, Mohammed Rafi | B Major | 3 | 1B | 99 BPM | ||
| Jane Bhi Do | Udit Narayan, Kavita Krishnamurthy | F♯ Major | 8 | 2B | 133 BPM | ||
| Sanwariya Daide Rangin Chudi | Usha Mangeshkar, Praful Dave | G Major | 5 | 9B | 100 BPM | ||
| Shair Bana Diya | Anwar Hussain, Laxmikant–Pyarelal | C Major | 3 | 8B | 63 BPM | ||
| Jo Ham Pe Guzarti Hai Tanha | Suman Kalyanpur | E♭ Major | 6 | 5B | 104 BPM | ||
| Commentary And Gunche Lage Hain Kahne | Shailendra Singh, Ameen Sayani | G Major | 6 | 9B | 80 BPM | ||
| Chham Se Tu Aaye | Suresh Wadkar, Asha Bhosle, Laxmikant–Pyarelal | D♭ Major | 5 | 3B | 144 BPM | ||
| Prem Hai Deepak Raag | Afroz Banu | A♭ Major | 4 | 4B | 118 BPM | ||
| Mohabbat Ko Lagi Kiski Baddua | Sukhwinder Singh | G Major | 6 | 9B | 132 BPM | ||
| Dekha Tujhe To | Nadeem, Alka Yagnik | F♯ Major | 7 | 2B | 106 BPM | ||
| Kaisi Yeh Judai Hai | Usha Mangeshkar, Shailendra Singh | G Major | 5 | 9B | 75 BPM |