"Early Concerns" by Peter Nashel, Brian Deming had its release date on March 15, 2021. The duration of This song is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Early Concerns's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Totally Under Control (Original Motion Picture Soundtrack)". In this album, this song's track order is #4. Based on our statistics, Early Concerns's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Early Concerns by Peter Nashel, Brian Deming having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hope and Weakness | Nathan Barr, Harry Risoleo | B Minor | 1 | 10A | 80 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Runaway | Umud Clayton, Umank | G Major | 0 | 9B | 78 BPM | ||
| Into the Cave | Antonio Pinto | B Major | 1 | 1B | 80 BPM | ||
| Struggle | Conor Randon, Moblodok | B Major | 1 | 1B | 63 BPM | ||
| Farewell at the Coast | Ingo Ludwig Frenzel | E Minor | 1 | 9A | 47 BPM | ||
| Spirit Fight | Tan Dun, Kodo | B♭ Major | 3 | 6B | 176 BPM | ||
| Jingim has Fallen | Peter Nashel, Eric V. Hachikian | D Major | 5 | 10B | 173 BPM | ||
| Jungles (feat. The BBC Concert Orchestra and the UK Chinese Ensemble) | Barnaby Taylor, BBC Concert Orchestra, UK Chinese Ensemble | A Minor | 2 | 8A | 90 BPM | ||
| Cycle | Jack Livsey, Peter Nashel | D♭ Major | 4 | 3B | 105 BPM | ||
| It is Coming at Dawn | Peter Nashel, Eric V. Hachikian | A Minor | 1 | 8A | 200 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| 47 Ronin | Ilan Eshkeri | G Major | 4 | 9B | 130 BPM | ||
| Go Home To Bloom | Peter Nashel | D♭ Major | 2 | 3B | 109 BPM | ||
| Ragnar Fights the Earl | Trevor Morris | G Major | 7 | 9B | 90 BPM | ||
| Mirada | Stephor Shpandau | D Major | 3 | 10B | 104 BPM | ||
| Girl Rising | Lorne Balfe | C Minor | 4 | 5A | 86 BPM | ||
| The Knights' Theme (From "The Order: 1886" Video Game Soundtrack) | Jason Graves | F Major | 2 | 7B | 84 BPM | ||
| The Knockdown | Roque Baños | A Major | 4 | 11B | 98 BPM | ||
| Liberation Main Theme | Winifred Phillips, Assassin's Creed | E Minor | 8 | 9A | 189 BPM | ||
| The Tree When We Sat Once | Mikolai Stroinski | D Minor | 2 | 7A | 87 BPM | ||
| El Fin Al Comienzo | Valores Especiales | C Minor | 3 | 5A | 135 BPM | ||
| Warlock | Cavid Babayev, Constalanta | C Major | 4 | 8B | 190 BPM | ||
| Relationship | Turgut Kazimov, Tourgut | D Major | 3 | 10B | 180 BPM | ||
| State Supply Scramble Part 2 | Peter Nashel, Brian Deming | B Minor | 1 | 10A | 144 BPM |