"Responsory: Tria sunt munera (chant)" by Anonymous , Anonymous 4 had its release date on 1993. With this song being around four minutes long, at 3:30, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "On Yoolis Night - Medieval Carols & Motets". In this album, this song's track order is #16. Based on our statistics, Responsory: Tria sunt munera (chant)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Responsory: Tria sunt munera (chant) by Anonymous , Anonymous 4 having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Antiphona Et Canticum: Zachaée, Modo VIII. Benedictus, Tono VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | E Minor | 1 | 9A | 128 BPM | ||
| Lok Sui Tien | Catholic Junior College Choir | E♭ Major | 3 | 5B | 73 BPM | ||
| Antiphon Salve Regina | Traditional Song, The Monks of Norcia | G Major | 1 | 9B | 110 BPM | ||
| Mysterium Arcani | Cathedral Choir | A Minor | 0 | 8A | 130 BPM | ||
| Pieśń o Najświętszej Pannie | Urszula Rogala, Dominikański Ośrodek Liturgiczny, Dorota Dąbrowska | F Major | 2 | 7B | 169 BPM | ||
| Victimae paschali laudes | Anonymous, Benedictine Monks' Choir Of Santo Domingo De Silos | A Major | 1 | 11B | 76 BPM | ||
| Responsorium: O beata trinitas | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
| In I Vesperis: Antiphona. Laus et perhennis | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Dum Medium Silentium - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
| Resonemus hoc natali | Anon. St. Martial, Anonymous, Theatre Of Voices, Paul Hillier | F♯ Minor | 1 | 11A | 187 BPM | ||
| Ave Maria | Anonymous, Mikk Uleoja, Kadri Hunt, Taniel Kirikal, Vox Clamantis, Jaan-Eik Tulve | E Major | 0 | 12B | 83 BPM | ||
| Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
| Sancti Spiritus Assit | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | A Minor | 1 | 8A | 71 BPM | ||
| Dans la joie de Pâques : Regina Coeli (Solennel) | Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan, Congrégation de Solesme | F♯ Major | 0 | 2B | 79 BPM | ||
| O sacrum convivium | Thomas Tallis, Choir of St. Ignatius Loyola, Kent Tritle | B Minor | 2 | 10A | 72 BPM | ||
| Sancta et Immaculata Virginitas | Traditional chant, Kloster Maria Engelport | F Major | 2 | 7B | 135 BPM | ||
| Confitemini Domino, IAC 1 | Alessandro Constantini, Pro Musica, Szabó Dénes | A Minor | 1 | 8A | 133 BPM | ||
| O Filii et Filiae | Anonymous, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 3 | 5A | 71 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
| Offertorium: Ave María, Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 80 BPM | ||
| Latuit | Birgitta von Schweden, Les Flamboyants, Michael Form, Susanne Ansorg, Kelly Landerkin | B♭ Minor | 0 | 3A | 172 BPM | ||
| Ave Maris Stella: I | Emily Dickens, Apollo5 | D Major | 0 | 10B | 63 BPM | ||
| Hymnus: Jesu, Nostra Redemptio, Modo IV | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | B Minor | 0 | 10A | 71 BPM |