Mary Halvorson's ' "Solitude" was released on its scheduled release date, September 4, 2015. This song is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The track order of this song in Mary Halvorson's "Meltframe" album is number 5 out of 10. Based on our statistics, Solitude's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Solitude by Mary Halvorson to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| DB Song | Paul Cornish | G Major | 3 | 9B | 81 BPM | ||
| Short Knives | John Dieterich, Mary Halvorson | C Minor | 1 | 5A | 83 BPM | ||
| Paperbirds | Linda May Han Oh, Ambrose Akinmusire, Tyshawn Sorey | G Major | 1 | 9B | 74 BPM | ||
| Domain | Fieldwork | C Major | 2 | 8B | 78 BPM | ||
| Angels Speak | Gerald Clayton | D Major | 3 | 10B | 130 BPM | ||
| Apple Cores #1 | James Brandon Lewis | D♭ Major | 7 | 3B | 96 BPM | ||
| Already Here | Muriel Grossmann | C Minor | 4 | 5A | 137 BPM | ||
| Yet I Can See | Milena Casado | E♭ Minor | 2 | 2A | 67 BPM | ||
| El Eco de Un Tambor: 3. Variación #1 | Prism Quartet, Miguel Zenón | F Major | 1 | 7B | 79 BPM | ||
| the glorification of small victories | Ben LaMar Gay | F♯ Minor | 7 | 11A | 176 BPM | ||
| Coordinates for the Absent | Craig Taborn, Tomeka Reid, Ches Smith | F Minor | 0 | 4A | 56 BPM | ||
| Possibility of Lightning | Mary Halvorson | A♭ Major | 4 | 4B | 134 BPM | ||
| maken melodie | Sam Gendel, Nate Mercereau | C Major | 4 | 8B | 89 BPM | ||
| Apple Cores #2 | James Brandon Lewis | D♭ Major | 7 | 3B | 96 BPM | ||
| Faceless Smears | Sylvie Courvoisier, Mary Halvorson | F♯ Minor | 2 | 11A | 87 BPM | ||
| Sunrise | Phi-Psonics | C Major | 2 | 8B | 123 BPM | ||
| That Which Kills Us Makes Us What? | Johnathan Blake | D♭ Major | 5 | 3B | 126 BPM | ||
| Twoface | Cortex, Hedvig Mollestad | A Minor | 5 | 8A | 142 BPM | ||
| Freedom Day (Part 2) | Terri Lyne Carrington, Christie Dashiell, Weedie Braimah, Milena Casado, Morgan Guerin, Simon Moullier, Matthew Stevens | E Minor | 4 | 9A | 115 BPM | ||
| Drum the Rubber Hate | Mary Halvorson, John Dieterich | A♭ Major | 0 | 4B | 141 BPM | ||
| Night Shift | Mary Halvorson | F Minor | 5 | 4A | 110 BPM | ||
| Hemiunu | Chicago Underground Duo | F Minor | 6 | 4A | 106 BPM | ||
| Roots | Jakob Bro, Andrew D'Angelo, Jesper Zeuthen, Bill McHenry, Adi Zukanovic, Anders Christensen, Matthias Petri, Kresten Osgood, Jakob Høyer | A♭ Major | 5 | 4B | 95 BPM | ||
| Sonny's Dance | Marshall Allen | F Major | 5 | 7B | 84 BPM | ||
| Exhale | Mathias Ruppnig, Kurt Rosenwinkel, Musina Ebobissé, Joander Cruz, Tony Tixier, Lorenz Heigenhuber | D Minor | 6 | 7A | 126 BPM |