"Imminent Ruination" by Ryan Amon, Diablo, Blizzard Entertainment had its release date on June 6, 2023. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 40 out of 47 in Diablo IV (Original Soundtrack) by Blizzard Entertainment. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Imminent Ruination is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Imminent Ruination by Ryan Amon, Diablo, Blizzard Entertainment is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Voidborn | Pawel Perepelica | B♭ Minor | 9 | 3A | 106 BPM | ||
| Dethroned | Gareth Coker | D Major | 4 | 10B | 100 BPM | ||
| I Thought They Came to Rescue Us | Jon Ekstrand | D♭ Major | 4 | 3B | 142 BPM | ||
| Tanaris | Tracy Bush | D Major | 4 | 10B | 56 BPM | ||
| Nazjatar Rise | David Arkenstone, World of Warcraft, Blizzard Entertainment | D Major | 3 | 10B | 77 BPM | ||
| Blood in the Foyada | Brad Derrick | F♯ Minor | 6 | 11A | 130 BPM | ||
| Cave | Matt Uelmen, Diablo, Blizzard Entertainment | A Major | 7 | 11B | 112 BPM | ||
| Kyros | Justin Bell | C Minor | 2 | 5A | 88 BPM | ||
| Reefs of Darktow | Critical Role, Omar Fadel | D Minor | 5 | 7A | 105 BPM | ||
| Horseback Ambush | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Undone by the Blood (From "Bloodborne") [The First Hunter] | Ryan Amon, Tsukasa Saitoh, Yuka Kitamura, Nobuyoshi Suzuki, Cris Velasco, Michael Wandmacher, Motoi Sakuraba (桜庭 統), Alex Roe | A♭ Major | 4 | 4B | 100 BPM | ||
| In Light We Walk | Knut Avenstroup Haugen, The Budapest Scoring Orchestra and Choir | D Minor | 5 | 7A | 98 BPM | ||
| Be Bold Once More (Cutscene) | Stuart Chatwood | D Major | 5 | 10B | 74 BPM | ||
| Tremor | Cris Velasco | F Minor | 6 | 4A | 113 BPM | ||
| Woedica | Justin Bell | E Minor | 2 | 9A | 133 BPM | ||
| Win | Jesper Kyd | A Minor | 4 | 8A | 144 BPM | ||
| The Chase | Marcin Przybyłowicz | D Major | 8 | 10B | 90 BPM | ||
| Little Knives | Junkie XL | C Minor | 4 | 5A | 112 BPM | ||
| Chains of Fate | Derek Duke, Diablo, Blizzard Entertainment | E♭ Minor | 3 | 2A | 120 BPM | ||
| Archnemesis | Cris Velasco, The Budapest Scoring Orchestra and Choir | C Minor | 4 | 5A | 165 BPM | ||
| Templars of the Ivory Labyrinth | Dmitry V. Silantyev | A♭ Major | 9 | 4B | 116 BPM | ||
| For A Higher Cause | Adam Skorupa, Krzysztof Wierzynkiewicz | F Minor | 8 | 4A | 81 BPM | ||
| Deathwalker's Ward | Critical Role, Sterling Maffe | B♭ Major | 3 | 6B | 144 BPM | ||
| New Tristram | Russell Brower, Laurence Juber, Matt Uelmen, Diablo, Blizzard Entertainment | C Minor | 2 | 5A | 80 BPM | ||
| The Wilds | Adam Burgess, Leo Kaliski, World of Warcraft, Blizzard Entertainment | D Major | 3 | 10B | 119 BPM |