Raghavendra Acharya Jansale's ' "Saku Tadi" was released on its scheduled release date, March 5, 2022. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Saku Tadi's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Raghava Ragasangama, Vol. 2". In this album, this song's track order is #10. Furthermore, we believe that the track originated from India. The popularity of Saku Tadi is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Saku Tadi by Raghavendra Acharya Jansale having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Baaro Manake | Sri Vidyabhushana | G Major | 6 | 9B | 88 BPM | ||
| Sathya Sathvika | Surekha, Shamitha | D Minor | 6 | 7A | 82 BPM | ||
| Iko Eetha Venkateshanu | Sheshagiridas Raichur | D♭ Minor | 6 | 12A | 158 BPM | ||
| O Ani Kha Kobor | Sanjita Debbarma, Sourabhee Debbarma, Bhabatosh Debbarma | C Major | 5 | 8B | 121 BPM | ||
| Maname Unakuruthi | Magantharen Balakisten | F Major | 6 | 7B | 79 BPM | ||
| Mayadantha Male | Appagere Thimmaraju | A Major | 5 | 11B | 115 BPM | ||
| Anupama Ananya (From "Sees Kaddi") | Spoorthi Rao, K C Balasarangan, Anujaya S Kumtakar | A Minor | 5 | 8A | 104 BPM | ||
| Shiv Manas Puja | Naynesh Jani | C Major | 3 | 8B | 132 BPM | ||
| Iko Nodi Chikka Hanumantha | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Pillangoviya Cheluva Krishna | Mysore Ramachandrachar | F♯ Major | 7 | 2B | 89 BPM | ||
| Gajaanana Bhajani Maadu | Prabhakar Chikki | F♯ Minor | 7 | 11A | 167 BPM | ||
| Barako Pada Barako | C. Ashwath | C Major | 5 | 8B | 82 BPM | ||
| Sri Sani Sthotram | Parupalli Sri Ranganath | A Major | 5 | 11B | 80 BPM | ||
| Mathi Needi Salihamma | Vidyabhushana | C Minor | 7 | 5A | 93 BPM | ||
| Dimbadalliruva Jeeva | Mysore Ramachandrachar | F♯ Major | 6 | 2B | 88 BPM | ||
| Koduva Kartu | Sri Vidyabhushana | G Minor | 7 | 6A | 97 BPM | ||
| Anyarindali Sukavayithu- Ninna Olumeinda | Mysore Ramachandrachar | F♯ Major | 5 | 2B | 130 BPM | ||
| Mahamadan | Pudhuvai Narasimhan | D Major | 9 | 10B | 99 BPM | ||
| Nimbiya Banada | B.K. Sumitra | N/A | N/A | N/A | 0 BPM | ||
| Melagalollenu | K. Yuvaraj | C Major | 6 | 8B | 129 BPM | ||
| Cheluvi Cheluvi Yendu | Shamita Malnad | B Major | 3 | 1B | 149 BPM | ||
| Sangeetha Sahitya Samalochani | B.K. Sumitra | F♯ Minor | 6 | 11A | 176 BPM | ||
| Om Saneswaraya | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| Oh Appdire | Yogaraj Bhat, Rangayana Raghu, Johny, Diganth, Ragini Dwivedi | D Minor | 3 | 7A | 104 BPM | ||
| Dushta Itana | Raghavendra Acharya Jansale | B♭ Minor | 6 | 3A | 147 BPM |