Blonde Redhead's ' "We Should Be Holding Hands - Instrumental" was released on its scheduled release date, September 14, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of We Should Be Holding Hands by Blonde Redhead. The song's track number on the album is #2 out of 2 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, We Should Be Holding Hands - Instrumental's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since We Should Be Holding Hands - Instrumental by Blonde Redhead has a tempo of 156 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With We Should Be Holding Hands - Instrumental being at 156 BPM, the half-time would be 78 BPM with a double-time of 312 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, running. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Black Guitar | Blonde Redhead | D♭ Minor | 4 | 12A | 146 BPM | ||
| Don't Take It Away | Devics | D Minor | 4 | 7A | 159 BPM | ||
| The Spoils | Massive Attack, Hope Sandoval | F♯ Minor | 2 | 11A | 143 BPM | ||
| Pink Love | Blonde Redhead | E♭ Minor | 8 | 2A | 97 BPM | ||
| The Paper Bride | Poni Hoax | D Minor | 6 | 7A | 170 BPM | ||
| No Longer Making Time | Slowdive | F♯ Major | 5 | 2B | 107 BPM | ||
| Pack Yr Romantic Mind | Stereolab | A Major | 4 | 11B | 96 BPM | ||
| (David Bowie I Love You) Since I Was Six | The Brian Jonestown Massacre | B♭ Major | 6 | 6B | 57 BPM | ||
| Doctor Blind | Emily Haines & The Soft Skeleton | G Minor | 6 | 6A | 133 BPM | ||
| In Berlin | Electrelane | G Minor | 4 | 6A | 122 BPM | ||
| I Love You Golden Blue | Sonic Youth | B Major | 6 | 1B | 113 BPM | ||
| Falling Man | Blonde Redhead | B♭ Minor | 7 | 3A | 152 BPM | ||
| Golden Star | My Brightest Diamond | F♯ Minor | 4 | 11A | 136 BPM | ||
| Angry Candy | Autolux | D♭ Major | 8 | 3B | 120 BPM | ||
| Becker | Autolux | B♭ Minor | 5 | 3A | 125 BPM | ||
| Bull In The Heather | Sonic Youth | G Major | 6 | 9B | 129 BPM | ||
| Megumi the Milkyway Above | Connan Mockasin | B Major | 8 | 1B | 163 BPM | ||
| Left You At The Farm | Michelle Gurevich | E Major | 1 | 12B | 124 BPM | ||
| A Street Scene | Bark Psychosis | F♯ Minor | 1 | 11A | 103 BPM | ||
| Dead Meat | Sean Ono Lennon | G Major | 5 | 9B | 83 BPM | ||
| Great Waves | Dirty Three | B Minor | 5 | 10A | 93 BPM | ||
| Change My Head | Autolux | F Major | 4 | 7B | 120 BPM | ||
| Incurable | Piano Magic | C Major | 5 | 8B | 120 BPM | ||
| Pandora (for Cindy) | Cocteau Twins | C Major | 6 | 8B | 158 BPM | ||
| Love Fade | Tamaryn | G Major | 9 | 9B | 118 BPM |