Jim Gaffigan's ' "More Watery Water" was released on its scheduled release date, May 15, 2004. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Last Supper". In this album, this song's track order is #25. Based on our statistics, More Watery Water's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With More Watery Water by Jim Gaffigan having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cause He's a Dog | Dusty Slay | E Major | 9 | 12B | 151 BPM | ||
| I Would Never Commit to It | Nate Bargatze | D Major | 5 | 10B | 80 BPM | ||
| Anything Can Be Funny | Dana Gould | F♯ Major | 10 | 2B | 81 BPM | ||
| Civil War Again | Kathleen Madigan | F♯ Minor | 9 | 11A | 136 BPM | ||
| Dairy Queen | Tommy Campbell | A♭ Major | 3 | 4B | 81 BPM | ||
| Praying for Everybody | Dry Bar Comedy, Zoltan Kaszas | E♭ Minor | 7 | 2A | 125 BPM | ||
| It's Like Looking into a Barber Shop Mirror Drunk | Shane Torres | F Minor | 6 | 4A | 115 BPM | ||
| I Didn't Sign Up for This | Bert Kreischer | G Major | 4 | 9B | 83 BPM | ||
| Does This Belong Here? | Adam Ferrara | G Major | 9 | 9B | 104 BPM | ||
| Escalators and People Movers | Kevin James | F Minor | 8 | 4A | 83 BPM | ||
| Dicks Pt II (Real Dad) | Big Jay Oakerson | D♭ Minor | 8 | 12A | 82 BPM | ||
| Elevators & Waterparks | Jim Gaffigan | D♭ Minor | 7 | 12A | 83 BPM | ||
| Dog Heaven | Dana Gould | A Major | 5 | 11B | 100 BPM | ||
| The Most Annoying People (Millennials of Course) | Orny Adams | E Minor | 9 | 9A | 174 BPM | ||
| Maximum Capacity | Dry Bar Comedy, Dennis Regan | F♯ Major | 8 | 2B | 35 BPM | ||
| It's Crist, Not Christ | John Crist | G Major | 6 | 9B | 78 BPM | ||
| Black Wine | Robin Williams | D Major | 8 | 10B | 70 BPM | ||
| Adventures in Maui | Robert Schimmel | D♭ Major | 5 | 3B | 117 BPM | ||
| The Backflip | David Spade | E Major | 8 | 12B | 87 BPM | ||
| Colic | Michael Ian Black | B Minor | 6 | 10A | 94 BPM | ||
| Taxes | Dennis Miller | F Major | 10 | 7B | 83 BPM | ||
| Performance Review 2 | John Heffron | E Minor | 9 | 9A | 135 BPM | ||
| Hot Vegas: Come Back During Summer | Jim Gaffigan | D♭ Major | 9 | 3B | 66 BPM | ||
| Screwed the Pooch & Midwest in LA | Charlie Berens | G Major | 7 | 9B | 112 BPM | ||
| Confuse the Cops | Steve Byrne | D Major | 9 | 10B | 74 BPM |