Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted
George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis
Handel: Messiah
3:34 October 9, 2007
BPM
105
Key
E♭ Major
Camelot
5B

Embed

Share Link

Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted by George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis Song Details

George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis's ' "Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted" was released on its scheduled release date, October 9, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 3 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted by George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-21.81 dB
Acousticness
96%
Danceability
42%
Energy
13%
Instrumentalness
0%
Liveness
7%
Loudness
64%
Speechiness
3%
Valence
58%

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gloria in D Major, RV 589: XII. Cum sancto spiritu by Antonio Vivaldi, Le Concert Spirituel, Herve NiquetGloria in D Major, RV 589: XII. Cum sancto spirituAntonio Vivaldi, Le Concert Spirituel, Herve NiquetE♭ Minor22A130 BPM
See Amid The Winter's Show by Choir of King's College, CambridgeSee Amid The Winter's ShowChoir of King's College, CambridgeG Major19B78 BPM
All Things Bright And Beautiful by St. Michael's Singers, David PoulterAll Things Bright And BeautifulSt. Michael's Singers, David PoulterG Major29B104 BPM
II. Gagliarda (Vincenzo Galilei) by Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber OrchestraII. Gagliarda (Vincenzo Galilei)Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber OrchestraD Major110B92 BPM
Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus) by Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders EbyOratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus)Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders EbyD Major010B128 BPM
Goss: Praise, My Soul, the King of Heaven by Choir of King's College, CambridgeGoss: Praise, My Soul, the King of HeavenChoir of King's College, CambridgeD Major210B100 BPM
Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichOde for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmonyGeorge Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang HelbichA♭ Minor01A96 BPM
In nativitatem Domini canticum, H. 416: No. 1, Praeludium - Usquequo avertis faciem tuam by Marc-Antoine Charpentier, English Baroque Soloists, Christophe Rousset, Samuel BodenIn nativitatem Domini canticum, H. 416: No. 1, Praeludium - Usquequo avertis faciem tuamMarc-Antoine Charpentier, English Baroque Soloists, Christophe Rousset, Samuel BodenD♭ Minor212A97 BPM
Gloria in D Major, RV 589: I. Gloria in Excelsis Deo (Chorus) by Antonio Vivaldi, The Sixteen, Harry ChristophersGloria in D Major, RV 589: I. Gloria in Excelsis Deo (Chorus)Antonio Vivaldi, The Sixteen, Harry ChristophersD♭ Major23B96 BPM
Oh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): Introduzione by Alessandro Scarlatti, Mária Zádori, Capella Savaria, Pal NemethOh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): IntroduzioneAlessandro Scarlatti, Mária Zádori, Capella Savaria, Pal NemethA♭ Major14B99 BPM
Hark! The Herald Angels Sing by Choir of King's College, Cambridge, Andrew Davis, Sir David WillcocksHark! The Herald Angels SingChoir of King's College, Cambridge, Andrew Davis, Sir David WillcocksG Major39B75 BPM
Messiah, HWV 56, Part II: No. 23, He Was Despised by George Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin DavisMessiah, HWV 56, Part II: No. 23, He Was DespisedGeorge Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin DavisE♭ Major15B105 BPM
Sheep May Safely Graze by Johann Sebastian Bach, James Galway, Barry GriffithsSheep May Safely GrazeJohann Sebastian Bach, James Galway, Barry GriffithsB♭ Major16B86 BPM
Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.."George Frideric Handel, Gundula Janowitz, Münchener Bach-Orchester, Karl Richter, Hedwig BilgramD Major410B111 BPM
Elgar: 2 Part Songs, Op. 26: No. 1, The Snow by Edward Elgar, Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves, Royal Liverpool Philharmonic ChoirElgar: 2 Part Songs, Op. 26: No. 1, The SnowEdward Elgar, Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves, Royal Liverpool Philharmonic ChoirB♭ Major06B113 BPM
Messiah, HWV 56: Part 2: Hallelujah (Chorus) by Nikolaus HarnoncourtMessiah, HWV 56: Part 2: Hallelujah (Chorus)Nikolaus HarnoncourtD♭ Major33B86 BPM
Gloria: Quoniam tu solus sanctus by Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerGloria: Quoniam tu solus sanctusAntonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD♭ Major23B136 BPM
Concerto Grosso No. 8 In G Minor, Op. 6 Concerto Grosso No. 8 In G Minor, Op. 6 ""Christmas Concert"": III. Adagio - Allegro - AdagioArcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi CherkasovE Major312B135 BPM
Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus) by Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerWachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus)Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerD Major210B170 BPM
Requiem in D Minor, Op.48: 3. Sanctus by Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville MarrinerRequiem in D Minor, Op.48: 3. SanctusGabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville MarrinerE♭ Major05B62 BPM
What Sweeter Music by John Rutter, City of London Sinfonia, The Cambridge SingersWhat Sweeter MusicJohn Rutter, City of London Sinfonia, The Cambridge SingersB Major01B89 BPM
Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) by Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard HellmannOratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus)Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard HellmannA Minor18A70 BPM
Concerto grosso in G Minor, Op. 6 No. 8 Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": V. Allegro –Arcangelo Corelli, The English Concert, Trevor PinnockF♯ Minor211A131 BPM
And the Glory of the Lord by The Choir and Orchestra of Pro ChristeAnd the Glory of the LordThe Choir and Orchestra of Pro ChristeE Major212B158 BPM
For all the Saints by Ralph Vaughan Williams, St. Paul's Cathedral Choir, Malcolm ArcherFor all the SaintsRalph Vaughan Williams, St. Paul's Cathedral Choir, Malcolm ArcherB♭ Major26B89 BPM
ISRC
GBDGQ0610703
Label
L-M Records/RCA Records