George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis's ' "Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted" was released on its scheduled release date, October 9, 2007. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, London Symphony Orchestra, Sir Colin Davis, Susan Gritton, Sara Mingardo, Mark Padmore, Alastair Miles, Tenebrae's "Handel: Messiah" album is number 3 out of 53. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Messiah, HWV 56, Part I: No. 3, Ev'ry Valley Shall Be Exalted by George Frideric Handel, London Symphony Orchestra, Mark Padmore, Sir Colin Davis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gloria in D Major, RV 589: XII. Cum sancto spiritu | Antonio Vivaldi, Le Concert Spirituel, Herve Niquet | E♭ Minor | 2 | 2A | 130 BPM | ||
| See Amid The Winter's Show | Choir of King's College, Cambridge | G Major | 1 | 9B | 78 BPM | ||
| All Things Bright And Beautiful | St. Michael's Singers, David Poulter | G Major | 2 | 9B | 104 BPM | ||
| II. Gagliarda (Vincenzo Galilei) | Ottorino Respighi, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 92 BPM | ||
| Oratorio de Noël, Op. 12: Quintet and Chorus. Consurge, Filia Sion (Soprano 1, Soprano 2, Alto, Bass, Chorus) | Camille Saint-Saëns, Britt Marie Aruhn, Anne Sofie von Otter, Ingmari Landin, Erland Hagegård, Ulf Lundmark, Mikaeli Chamber Choir, Karin Langebo, Bengt Forsberg, Royal Opera Theater Orchestra, Anders Eby | D Major | 0 | 10B | 128 BPM | ||
| Goss: Praise, My Soul, the King of Heaven | Choir of King's College, Cambridge | D Major | 2 | 10B | 100 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| In nativitatem Domini canticum, H. 416: No. 1, Praeludium - Usquequo avertis faciem tuam | Marc-Antoine Charpentier, English Baroque Soloists, Christophe Rousset, Samuel Boden | D♭ Minor | 2 | 12A | 97 BPM | ||
| Gloria in D Major, RV 589: I. Gloria in Excelsis Deo (Chorus) | Antonio Vivaldi, The Sixteen, Harry Christophers | D♭ Major | 2 | 3B | 96 BPM | ||
| Oh di Betlemme altera povertà (Cantata pastorale per la nascita di Nostro Signore): Introduzione | Alessandro Scarlatti, Mária Zádori, Capella Savaria, Pal Nemeth | A♭ Major | 1 | 4B | 99 BPM | ||
| Hark! The Herald Angels Sing | Choir of King's College, Cambridge, Andrew Davis, Sir David Willcocks | G Major | 3 | 9B | 75 BPM | ||
| Messiah, HWV 56, Part II: No. 23, He Was Despised | George Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin Davis | E♭ Major | 1 | 5B | 105 BPM | ||
| Sheep May Safely Graze | Johann Sebastian Bach, James Galway, Barry Griffiths | B♭ Major | 1 | 6B | 86 BPM | ||
| Der Messias, HWV 56 - In deutscher Sprache / Erster Teil: 14. Rezitativ (Sopran) "Es waren Hirten beisammen.." | George Frideric Handel, Gundula Janowitz, Münchener Bach-Orchester, Karl Richter, Hedwig Bilgram | D Major | 4 | 10B | 111 BPM | ||
| Elgar: 2 Part Songs, Op. 26: No. 1, The Snow | Edward Elgar, Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Sir Charles Groves, Royal Liverpool Philharmonic Choir | B♭ Major | 0 | 6B | 113 BPM | ||
| Messiah, HWV 56: Part 2: Hallelujah (Chorus) | Nikolaus Harnoncourt | D♭ Major | 3 | 3B | 86 BPM | ||
| Gloria: Quoniam tu solus sanctus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 2 | 3B | 136 BPM | ||
| Concerto Grosso No. 8 In G Minor, Op. 6 ""Christmas Concert"": III. Adagio - Allegro - Adagio | Arcangelo Corelli, Chamber Orchestra of the Moscow Conservatory, Genadi Cherkasov | E Major | 3 | 12B | 135 BPM | ||
| Wachet auf, ruft uns die Stimme, BWV 140: Chorale. Gloria sei dir gesungen (Chorus) | Johann Sebastian Bach, Susan Hamilton, William Kendall, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 170 BPM | ||
| Requiem in D Minor, Op.48: 3. Sanctus | Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, John Birch, Sir Neville Marriner | E♭ Major | 0 | 5B | 62 BPM | ||
| What Sweeter Music | John Rutter, City of London Sinfonia, The Cambridge Singers | B Major | 0 | 1B | 89 BPM | ||
| Oratorio de Noël, Op. 12: Air. Domine, ego credidi (Tenor, Chorus) | Camille Saint-Saëns, Verena Schweizer, Edith Wiens, Helena Jungwirth, Friedreich Melzer, Kurt Widmer, Hans-Joachim Bartsch, Barbara Biermann, Bachchor Mainz, Bachorchester Mainz, Diethard Hellmann | A Minor | 1 | 8A | 70 BPM | ||
| Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": V. Allegro – | Arcangelo Corelli, The English Concert, Trevor Pinnock | F♯ Minor | 2 | 11A | 131 BPM | ||
| And the Glory of the Lord | The Choir and Orchestra of Pro Christe | E Major | 2 | 12B | 158 BPM | ||
| For all the Saints | Ralph Vaughan Williams, St. Paul's Cathedral Choir, Malcolm Archer | B♭ Major | 2 | 6B | 89 BPM |