"II. Allegro" by Antonio Vivaldi, Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann had its release date on October 2, 2025. With This song being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "The Essential Vivaldi". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. II. Allegro is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With II. Allegro by Antonio Vivaldi, Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Autumn (L'Automno) Op.8 No.3 Major: Allegro (La Caccia) | Baroque Festival Orchestra, Alberto Lizzio | C Major | 0 | 8B | 147 BPM | ||
| Come, Sweet Death, BWV 478 (Arr. for 5 Cellos) | Sheku Kanneh-Mason, Hannah Roberts, Ben Davies, Desmond Neysmith, Max Ruisi | C Major | 0 | 8B | 122 BPM | ||
| Keyboard Sonata in A Major, Wq. 54/6: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 181 BPM | ||
| Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Carmen Suite No. 2 (Arr. E. Guiraud): II. Habanera | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 128 BPM | ||
| Concerto Grosso No. 8 in G Minor, Op. 6, "Christmas Concerto": Allegro | Arcangelo Corelli, David Parry, London Philharmonic Orchestra | D Major | 1 | 10B | 84 BPM | ||
| The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 2 in C minor, BWV 847 | Luc Beauséjour | B Minor | 4 | 10A | 85 BPM | ||
| Les contes d'Hoffmann (the Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
| Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | ||
| Winter (L'Inverno) Op.8 No.4 F Minor: Allegro Non Molto | Baroque Festival Orchestra, Alberto Lizzio | F Minor | 0 | 4A | 143 BPM | ||
| Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Albéniz: Suite Española No. 1, Op. 47: V. Asturias "Leyenda" | Isaac Albéniz, Fazıl Say | C Minor | 1 | 5A | 133 BPM | ||
| Carmen Fantasy for Violin and Orchestra, Op. 25 | SWR Symphony Orchestra, Ion Tanase | D Major | 2 | 10B | 157 BPM | ||
| Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
| Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
| Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
| Jazz Suite No. 1: I. Waltz | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | E♭ Major | 1 | 5B | 173 BPM | ||
| The Four Seasons, Spring, Violin Concerto in E Major, RV 269, Op. 8 No. 1: I. Allegro | Antonio Vivaldi, Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, Jan Jansen | E Major | 2 | 12B | 105 BPM | ||
| 6 Violin Sonatas, Op. 10b No. 2 in G Major, J. 100: II. Adagio | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | G Minor | 2 | 6A | 65 BPM | ||
| Recuerdos de la Alhambra | Francisco Tárrega, Andrés Madariaga | D Major | 3 | 10B | 79 BPM | ||
| Violin Sonata in G Minor, B. g5 "Devil’s Trill": I. Larghetto affetuoso – Allegro - 2025 Remastered Edition | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 2 | 6A | 107 BPM | ||
| New World Symphony No 9 - 4th Movement | Royal Symphony Orchestra | E Minor | 1 | 9A | 142 BPM | ||
| 16 Waltzes, Op. 39 (Version for Piano Duet): No. 15 in A-Flat Major | Johannes Brahms, Tal & Groethuysen | A Major | 0 | 11B | 126 BPM |