"Cold Song’ (What Power Art Thou...)" by Henry Purcell, VOCES8, Les Inventions, Dingle Yandell had its release date on April 7, 2014. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 14 in A Purcell Collection by Henry Purcell, Voces8, Les Inventions. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Cold Song’ (What Power Art Thou...)'s popularity is below average in popularity right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Cold Song’ (What Power Art Thou...) by Henry Purcell, VOCES8, Les Inventions, Dingle Yandell is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
| nyepi - choir version | Ólafur Arnalds, VOCES8 | E Major | 1 | 12B | 139 BPM | ||
| Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 0 | 12A | 82 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
| Ode for the Birthday of Queen Anne, HWV 74: Eternal Source of Light Divine | George Frideric Handel, Susanne Rydén, Niklas Eklund, London Baroque, Charles Medlam | E Major | 0 | 12B | 100 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
| Rinaldo, HWV 7a, Act II, Scene 4: Lascia ch'io pianga | George Frideric Handel, Simone Kermes, Amici Veneziani, Boris Begelman | E Major | 0 | 12B | 128 BPM | ||
| Salve Regina pour soprano, contre-ténor et basse continue: I. Salve Regina (Adagio) | Domenico Scarlatti, Vox Luminis, Lionel Meunier | A♭ Major | 3 | 4B | 124 BPM | ||
| If ever I more riches did desire, Z. 544 | Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 60 BPM | ||
| How Sweet The Moonlight [The Merchant of Venice] | Jocelyn Pook, Andreas Scholl, Baroque String Quartet, Siobhán Armstrong, Harvey Brough, Elizabeth Kenny | E♭ Major | 1 | 5B | 135 BPM | ||
| L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
| Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
| Massenet: Elégie | Jules Massenet, Philippe Jaroussky, Gautier Capuçon, Jerome Ducros | E♭ Minor | 0 | 2A | 83 BPM | ||
| Carmina Burana: Veris leta facies | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 77 BPM | ||
| The Indian Queen, Z. 630 : Act II - The Masque Of Fame And Envy: Symphony | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 1 | 1B | 112 BPM | ||
| The Fairy Queen, Z. 629: Act II: Secresie | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | B Minor | 0 | 10A | 89 BPM | ||
| The Seal Lullaby | Eric Whitacre, VOCES8, Lavinia Meijer | D♭ Major | 0 | 3B | 63 BPM | ||
| Maddalena ai piedi di Cristo: No. 35 Aria Maddalena "In lagrime stemprato il cor qui cade" | Antonio Caldara, René Jacobs, Maria Cristina Kiehr, Schola Cantorum Basiliensis, Chiara Banchini | B♭ Minor | 0 | 3A | 79 BPM | ||
| The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
| The Fruits Of Silence | Pēteris Vasks, VOCES8, Huw Watkins | E♭ Major | 0 | 5B | 79 BPM | ||
| Le Bourgeois Gentilhomme (1670): Marche pour la cérémonie des Turcs | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 4 | 11A | 82 BPM | ||
| Dido and Aeneas / Act 1: "Ah! Belinda, I am prest with torment" | Henry Purcell, Jessye Norman, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Minor | 0 | 5A | 101 BPM | ||
| O solitude, my sweetest choice, Z. 406 | Henry Purcell, Valer Barna-Sabadus, Pavel Serbin, Axel Wolf | B Minor | 1 | 10A | 73 BPM | ||
| Miserere, Op.44: 1. Domine Deus noster-Lento | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 72 BPM |