Bhikari Bal's ' "Radhe Gobinda Radhe" was released on its scheduled release date, December 9, 2009. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bhikhari Bala's "Jagabandhu Hey Gosain" album is number 4 out of 8. On top of that, India appears to be the country where this track was created. The popularity of Radhe Gobinda Radhe is currently below average in popularity right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Radhe Gobinda Radhe by Bhikari Bal to be Presto (very, very fast) because the track has a tempo of 185 BPM, a half-time of 92BPM, and a double-time of 370 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mana Hari Nama | Bhikhari Bala | F Major | 6 | 7B | 156 BPM | ||
| Ninu Maruvalemuraa | Satyadev Janga | D Major | 7 | 10B | 80 BPM | ||
| Tulasi Banare Prema Heigala | Namita Agrawal | F♯ Major | 7 | 2B | 164 BPM | ||
| Sukhare Kaliaa | Ashok Bal | B♭ Major | 6 | 6B | 151 BPM | ||
| Sabhien Kahanti Bada Danda Bada | Bhikhari Bala | C Minor | 7 | 5A | 91 BPM | ||
| Dukha Nasana He | Bhikari Bal | D♭ Major | 7 | 3B | 139 BPM | ||
| Tholi Tholi Poojala | Pukazhenthi, Samavadam Shanmuga Sharma, S. P. Balasubrahmanyam | G Major | 5 | 9B | 133 BPM | ||
| Rahijare Rahija | Arabinda Muduli | F Major | 9 | 7B | 82 BPM | ||
| Aruna Stambhare | Subas Das | G Major | 8 | 9B | 119 BPM | ||
| Kala Gobinda | Anasuya Nath | F Major | 8 | 7B | 170 BPM | ||
| Tumi Kare Phool | Shakti Mishra | A♭ Minor | 6 | 1A | 82 BPM | ||
| Neerali Deepava | B. R. Chaya | D♭ Minor | 4 | 12A | 152 BPM | ||
| Agharam Maghuram | Shailendra Bharti, Nisha Upadhyay | E♭ Minor | 5 | 2A | 101 BPM | ||
| Kaalia Re Tote Chahin Dele | Anjali Mishra | A Minor | 7 | 8A | 111 BPM | ||
| Pigla Prabhat Ka Dhaam | Narendra Singh Negi | E♭ Major | 6 | 5B | 166 BPM | ||
| Bhakti Achhi Mora | Bhikhari Bala | F Major | 5 | 7B | 139 BPM | ||
| Samay Maro Sadhje Vala | Ashit Desai, Purshottam Das Jalota, Anuradha Paudwal | D♭ Major | 6 | 3B | 78 BPM | ||
| Mun Katha Ta Deichi | Subash Dash | A♭ Minor | 6 | 1A | 82 BPM | ||
| Palkhi Nighali Ti Payi Payi | Sacchidanand Appa | F Minor | 7 | 4A | 143 BPM | ||
| Jeun Hata Karuthae Papa | Subash Dash | F♯ Major | 9 | 2B | 102 BPM | ||
| Mate Kari De Re Nanda Lala | Kumar Janu Rout, Jagyanadutta Dash | F Minor | 8 | 4A | 116 BPM | ||
| Rakhuma Majhi Perni Kari | Vishnubuva Wavanjekar | F♯ Minor | 7 | 11A | 126 BPM | ||
| Thingalu Mulugidavu | Appegere Thimmaraju, K.S. Surekha, Chandrika Gururaj | F Major | 5 | 7B | 80 BPM | ||
| Iko Nodi Chikka Hanumantha | Anantha Kulkarni | D♭ Major | 7 | 3B | 128 BPM | ||
| Pathitha Paavana Naama | S. P. Balasubrahmanyam | C Major | 7 | 8B | 180 BPM |