Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale's 'The Renaissance Suite: II. PAVANE in Burnt Orange' had a release date set for February 9, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Julie Cooper's "Julie Cooper: Oculus" album is number 8 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Renaissance Suite: II. PAVANE in Burnt Orange's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Renaissance Suite: II. PAVANE in Burnt Orange by Julie Cooper, Clio Gould, Camilla Pay, Oculus Ensemble, Simon Hale to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lindar | Paul Colomb, Justine Metral, Frédéric Deville, Michèle Pierre, Louis Rodde | G Minor | 2 | 6A | 128 BPM | ||
| Hoxa Sound | Erland Cooper | C Major | 2 | 8B | 86 BPM | ||
| Division | Aron van Selm, Ardie Son | F Minor | 3 | 4A | 85 BPM | ||
| Sapias | Olivia Belli, Mari Samuelsen, Julien Quentin, Scoring Berlin, Jonathan Stockhammer | D Major | 1 | 10B | 106 BPM | ||
| The Blue Wonder | Kerani | C Major | 1 | 8B | 113 BPM | ||
| Humming Bird Rework | Felix Rösch, mondëna quartet | F Minor | 1 | 4A | 78 BPM | ||
| Separate Lives | Gabriel Yared | C Minor | 2 | 5A | 150 BPM | ||
| Fantasía for Cello and Orchestra | Gabríel Ólafs, Steiney Sigurðardóttir, Reykjavík Orkestra, Viktor Orri Árnason | A Major | 0 | 11B | 58 BPM | ||
| Listen | Matthew Raetzel | A♭ Minor | 1 | 1A | 173 BPM | ||
| A time for us | Nino Rota, Larry Kusik, Eddie Snyder, Soirée Musique | G Minor | 2 | 6A | 140 BPM | ||
| Every Picture Tells a Story (2023 Piano Version) | Kerry Muzzey, The Chamber Orchestra Of London | C Major | 2 | 8B | 74 BPM | ||
| Falling In Air | Julie Cooper | G Minor | 2 | 6A | 113 BPM | ||
| recollection | Rachel Portman | F Minor | 2 | 4A | 171 BPM | ||
| Utrice (Piano & Cello) | Carlos Hof, Eva Brönner | F♯ Major | 2 | 2B | 83 BPM | ||
| Amber And Gold | Julie Cooper | C Minor | 1 | 5A | 140 BPM | ||
| Stay | Aron van Selm, Ardie Son | D Major | 1 | 10B | 77 BPM | ||
| The Pier (from "Never Let Me Go", Arr. for Piano & Cello) | Rachel Portman, Raphaela Gromes | E Minor | 1 | 9A | 84 BPM | ||
| Amethyst | Reyer Zwart, Lavinia Meijer, Alma Quartet Amsterdam | A♭ Major | 2 | 4B | 123 BPM | ||
| Movement 7 - Instrumental | Erland Cooper, Leo Abrahams | C Major | 1 | 8B | 87 BPM | ||
| ANGEL in Dark Green | Julie Cooper, Eliza Marshall, Clio Gould, Grace Davidson, Camilla Pay, Joby Burgess, Oculus Ensemble, Jessica Cottis | F Minor | 2 | 4A | 86 BPM | ||
| Anna Regina | Debbie Wiseman | G Minor | 1 | 6A | 115 BPM | ||
| The Cold Earth Slept Below | Julie Cooper, Grace Davidson, Oculus Ensemble, Jessica Cottis | C Minor | 2 | 5A | 67 BPM | ||
| I'm Gonna Marry Her | Anže Rozman, Camilo Forero | C Minor | 3 | 5A | 160 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| Elizabeth I | Debbie Wiseman, National Symphony Orchestra | A Minor | 2 | 8A | 80 BPM |