On November 26, 2019, the song "Nath Tere Chele Jode Hath" was released by Rishipal, Kaushinder, Ramavtar Sharma. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rishipal's "Guru Gorakhnath Ki Amar Katha Vol-2" album is number 7 out of 7. On top of that, India appears to be the country where this track was created. Based on our statistics, Nath Tere Chele Jode Hath's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Nath Tere Chele Jode Hath by Rishipal, Kaushinder, Ramavtar Sharma to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sikhandrabad Competiton Part 4 | Karampal Sharma, Manju Sharma, Brahmapal Nagar, Koshinder Khadana, Rishipal, Sunita Panchal | E Minor | 5 | 9A | 81 BPM | ||
| Chala Beem Sen Mardana | Kosinder, Rishipal | D♭ Major | 5 | 3B | 142 BPM | ||
| Gorakh Ki Maya Niyari Hai | Rishipal, Kaushinder, Ramavtar Sharma | F Major | 7 | 7B | 151 BPM | ||
| Man Mamta Me Pagal Ho | Satpal Dausa | G Major | 9 | 9B | 132 BPM | ||
| Pind Var Nagoba | Amol Shirsath | A♭ Major | 10 | 4B | 162 BPM | ||
| Main Mar Gi Balaji | Narendra Kaushik | A Major | 9 | 11B | 72 BPM | ||
| Dosh Mera Dyoun Ki | Satpal Dausa | D♭ Major | 6 | 3B | 95 BPM | ||
| Aaya Bulava Mouda Ke | Satish | A♭ Major | 9 | 4B | 90 BPM | ||
| Bewafa Ko Dil Deke Kya Wafa Nibhaoge | Brijesh Shastri | A Major | 9 | 11B | 111 BPM | ||
| Main Baithi Baithi Japu Su | Narendra Kaushik | F♯ Minor | 8 | 11A | 94 BPM | ||
| Sapna Me Nhi Karna Re Maya Ro Abhiman | Prem Nath | C Major | 9 | 8B | 110 BPM | ||
| Mehandipur Ke Dham Chalenge | Narender Kaushik | F♯ Major | 8 | 2B | 137 BPM | ||
| Dada Nahar Singh Ki Paidi | Ashu Verma | G Minor | 9 | 6A | 157 BPM | ||
| MATA MADANAN KA SOL | Ashu Verma | A Major | 8 | 11B | 106 BPM | ||
| Radhe Milade Mose Madan Murari | Ram Kumar Lakkha | F♯ Minor | 8 | 11A | 151 BPM | ||
| Balamua Ke Kora Me | Sudhir Lal Yadav, Kavita Yadav | B Minor | 9 | 10A | 124 BPM | ||
| Jindgi Me Jahar | Anupama Yadav, Golu Raja | E♭ Minor | 6 | 2A | 85 BPM | ||
| Dhanwad Vichole Da | Major Rajsthani | F♯ Major | 7 | 2B | 77 BPM | ||
| Jeth Maas Ka Mahina | Rishipal, Kaushinder, Ramavtar Sharma | G Minor | 7 | 6A | 81 BPM | ||
| Suhana Ki Jeet, Pt. 2 | Asmeena Mewati | D♭ Major | 9 | 3B | 110 BPM | ||
| Bala Ji Kit Pad Ke So Gaya Ho | Narender Kaushik | B♭ Major | 8 | 6B | 137 BPM | ||
| Bhaang Mein Talli Ho Raha | Pt. Ram Avtar Sharma, Rajneesh Sharma, Shivani Chanana | C Minor | 8 | 5A | 96 BPM | ||
| Chitti Lea Kea Kashid Aa Gaya | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | E Minor | 4 | 9A | 128 BPM | ||
| Abhi Chhoti Hun Balam Jawan Hone De | Prakash Rutha | G Major | 6 | 9B | 95 BPM | ||
| Duniya Mein Datar Bahut Hain Dikhlate Datari | Upasana Mehta | F Minor | 9 | 4A | 134 BPM |