"The Oscars" by Ilan Eshkeri had its release date on September 20, 2024. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Super/Man: The Christopher Reeve Story (Original Motion Picture Soundtrack)". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. The Oscars is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Oscars by Ilan Eshkeri having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Godfrey | Marc Streitenfeld | F♯ Minor | 2 | 11A | 157 BPM | ||
| The Battle of the Pelennor Fields | Howard Shore | E Minor | 4 | 9A | 121 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Power and Purpose (From "The Witcher: Season 2" Soundtrack) | Joseph Trapanese | F Major | 2 | 7B | 132 BPM | ||
| Beyond the Great Plains | Sarah Schachner | D Major | 1 | 10B | 69 BPM | ||
| Magnus Smiles on Suran | Brad Derrick | C Major | 2 | 8B | 169 BPM | ||
| The City Gates | Jeremy Soule, The Elder Scrolls | G Minor | 2 | 6A | 85 BPM | ||
| Dreams | Pinar Toprak | D Major | 3 | 10B | 134 BPM | ||
| The Last of Clan Adachi | Ilan Eshkeri | G Minor | 7 | 6A | 159 BPM | ||
| Leaving Earth | Clint Mansell | E Minor | 3 | 9A | 39 BPM | ||
| The Hyperspace Jump | Kevin Kiner | F♯ Minor | 4 | 11A | 100 BPM | ||
| End of the World - FF7 Rebirth OST Ver. | Masashi Hamauzu, 植松 伸夫 | C Minor | 2 | 5A | 112 BPM | ||
| The Grey Havens | Chance Thomas | D Minor | 1 | 7A | 85 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Locomotives | Ruth Barrett | A♭ Minor | 4 | 1A | 94 BPM | ||
| The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| For Honor! For Toussaint! | Piotr Musiał | A Minor | 8 | 8A | 90 BPM | ||
| Go to Her | Mike Higham, Matthew Margeson | C Minor | 1 | 5A | 119 BPM | ||
| Overture to the Unwritten (from "Hogwarts Legacy") | chuck e. myers 'sea', J Scott Rakozy, Peter Murray, Hogwarts Legacy | C Major | 3 | 8B | 74 BPM | ||
| Serenity | David Newman | B♭ Major | 2 | 6B | 84 BPM | ||
| The Resurrection Stone | Alexandre Desplat | D♭ Minor | 0 | 12A | 69 BPM | ||
| Twin Elms | Justin Bell | E Minor | 1 | 9A | 69 BPM | ||
| Mercury | Edmund Percival Montfort | E♭ Minor | 2 | 2A | 100 BPM | ||
| Shawshank Prison - Stoic Theme | Thomas Newman | G Minor | 1 | 6A | 81 BPM |