Elliott Sharp's 'Nyetwork' had a release date set for 1993. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 15 in Amusia by Elliott Sharp. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Nyetwork is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Nyetwork by Elliott Sharp is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pops Craps | Trapper Fade | A♭ Major | 6 | 4B | 114 BPM | ||
| While Vermeer Was Sleeping | SQÜRL | G Major | 2 | 9B | 76 BPM | ||
| This Is a Message | Elliott Sharp, Eric Mingus | D♭ Major | 3 | 3B | 112 BPM | ||
| Ostinato #3 | Ernst Reijseger | G Major | 1 | 9B | 81 BPM | ||
| Glass c/w Steel | Fred Frith | D Major | 4 | 10B | 61 BPM | ||
| Echoes Of Eternity | Sergio Armaroli, Steve Piccolo, Elliott Sharp | D Major | 2 | 10B | 145 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Blinding Shadow | Christian Marclay, Elliott Sharp | A♭ Minor | 6 | 1A | 114 BPM | ||
| Sink or Swim | Elliott Sharp | D♭ Major | 4 | 3B | 120 BPM | ||
| Cambio de papeles. | mark | A♭ Minor | 3 | 1A | 180 BPM | ||
| Uhhuu | Elliott Sharp, Rainer Jancis | D♭ Major | 8 | 3B | 116 BPM | ||
| Compositions 1960: No. 4 - Arr. for Guitar | La Monte Young, Noël Akchoté | D Minor | 1 | 7A | 72 BPM | ||
| Music for 18 Hairdressers: Braids & Fractals | Ben LaMar Gay | A♭ Major | 3 | 4B | 77 BPM | ||
| Follow me, I make you happy | Bex Burch | C Major | 2 | 8B | 131 BPM | ||
| Clara | Zeno Gabaglio | F Major | 1 | 7B | 96 BPM | ||
| Unionen | Unionen | A Minor | 3 | 8A | 123 BPM | ||
| Graffiti Composition 1 | Christian Marclay, Melvin Gibbs, Mary Halvorson, Vernon Reid, Lee Ranaldo, Elliott Sharp | C Major | 7 | 8B | 131 BPM | ||
| Improvised Music #2 | Bill Laswell, Sonny Sharrock, Derek Bailey, Fred Frith, John Zorn | A♭ Minor | 4 | 1A | 109 BPM | ||
| II Face the Nation | Allen Ginsberg, Lee Ranaldo, Lenny Kaye, Elliott Sharp | F Major | 5 | 7B | 130 BPM | ||
| Sikkerhed | Burnt Friedman, Jaki Liebezeit | D♭ Major | 3 | 3B | 121 BPM | ||
| Blues in New York City (feat. Elliott Sharp & Kenny Aaronson) | Floyd Lee, Elliott Sharp, Kenny Aaronson | A♭ Major | 5 | 4B | 71 BPM | ||
| Abri | Hélène Breschand, Floy Krouchi, Zafer Tawil, Elliott Sharp | B♭ Major | 7 | 6B | 150 BPM | ||
| Relativity Suite: Pt. I | Don Cherry, Christer Bothen, Bengt Berger | F♯ Major | 3 | 2B | 104 BPM | ||
| Cells 9-11 | Terry Riley, Brooklyn Raga Massive | C Major | 7 | 8B | 111 BPM | ||
| Stop, and Eat More Flesh | Allen Ginsberg, Elliott Sharp | C Major | 4 | 8B | 145 BPM |