Chris Cheek's ' "Saturday Song" was released on its scheduled release date, June 24, 2016. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Saturday Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Saturday Song is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Saturday Song by Chris Cheek having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Late Green | Chris Cheek, Mark Turner, Jordi Rossy, Dan Rieser, Ben Monder, Marc Johnson | A Major | 4 | 11B | 80 BPM | ||
| Wine-Stained Jazz | The Velvet Dame | G Minor | 1 | 6A | 170 BPM | ||
| Prayers | Fred Nardin | D♭ Major | 1 | 3B | 76 BPM | ||
| As Long As You Are Here | Håkan Broström, Britta Virves, Jon Henriksson, Jonas Bäckman | A Minor | 5 | 8A | 110 BPM | ||
| No Tornis Més | Elisabet Raspall, Chris Cheek, Benet Palet, Pep Pérez, Marc Miralta | C Major | 3 | 8B | 131 BPM | ||
| Departure | Emil Brandqvist Trio | F Major | 2 | 7B | 104 BPM | ||
| The Sacred Place | Joel Ross | G Minor | 3 | 6A | 139 BPM | ||
| Skiftevisen | Antonio Dayyani | F Major | 2 | 7B | 149 BPM | ||
| Siqsteetwo | David Preston, Kit Downes, Sebastian Rochford, Kevin Glasgow | G Major | 3 | 9B | 68 BPM | ||
| Kad Katan | Itamar Erez, Itamar Erez Trio | B Minor | 4 | 10A | 93 BPM | ||
| G. Brothers | Triosence | D Minor | 3 | 7A | 98 BPM | ||
| Old Chair | 壷阪健登 | G Minor | 3 | 6A | 139 BPM | ||
| Why Not | Orquestra Jazz de Matosinhos, Chris Cheek | G Major | 4 | 9B | 132 BPM | ||
| Canción para Sara | Max Ionata, Jesper Bodilsen, Martin Maretti Andersen, Martin SjÖstedt | C Major | 4 | 8B | 80 BPM | ||
| Oleo De Mujer Con Sombrero | James Muller, Ken Stubbs, Brett Hirst, Simon Barker | G Minor | 3 | 6A | 139 BPM | ||
| Human Spirit | Human Being Human, Chris Cheek | G Minor | 3 | 6A | 139 BPM | ||
| Here There And Everywhere | More than Jazz | F Major | 2 | 7B | 123 BPM | ||
| Intermezzo | Tom Harrell | F Minor | 4 | 4A | 129 BPM | ||
| Things We Left Behind | Christian Konopka, Chris Cheek, Steve Cardenas, Nitzan Gavrieli, Dan Rieser | C Major | 2 | 8B | 138 BPM | ||
| Ginger Something | Chris Cheek | B Major | 6 | 1B | 120 BPM | ||
| Origin Story | Kaisa's Machine, Melissa Aldana | B Major | 5 | 1B | 85 BPM | ||
| Duende | Sean Mason | D♭ Major | 7 | 3B | 95 BPM | ||
| Clear Skies Ahead | Rik van der Made, Alex Hitchcock, Niklas Lukassen, Benji Bown, Jonah Evans | G Minor | 3 | 6A | 139 BPM | ||
| Canção | Yotam Silberstein, Sam Yahel, Willie Jones III, Chris Cheek | E Major | 3 | 12B | 71 BPM | ||
| Tomorrow´s Yesterday | Karin Krog, Erlend Slettevoll, Rob Waring | G Minor | 3 | 6A | 139 BPM |