Rodrigo G Pahlen, ORQUESTA FILARMÓNICA DE MONTEVIDEO, Raul Jaurena, Federico Garcia-Vigil's 'Conversaciones con Schopenhauer: La impermanencia' had a release date set for March 28, 2006. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Orquestango 3". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Uruguay. In terms of popularity, Conversaciones con Schopenhauer: La impermanencia is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Conversaciones con Schopenhauer: La impermanencia by Rodrigo G Pahlen, ORQUESTA FILARMÓNICA DE MONTEVIDEO, Raul Jaurena, Federico Garcia-Vigil having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Umbrellas in Silence | Elliot Warmstone Quartet | C Minor | 2 | 5A | 102 BPM | ||
| 8 de Janeiro | Uaná Barreto | G Minor | 3 | 6A | 88 BPM | ||
| We Didn’t Ask | Opus Jazz | C Minor | 2 | 5A | 102 BPM | ||
| Invite Only | Le Jazz Manouche Troupe | F Major | 4 | 7B | 166 BPM | ||
| Recuerdos De Greta | Leonard Maraiz | E Minor | 5 | 9A | 114 BPM | ||
| Gli amori sospesi | Gabriele Mirabassi, Nando Di Modugno, Pierluigi Balducci | B♭ Major | 2 | 6B | 142 BPM | ||
| Brisa da Serra | Sol Baixo | G Major | 4 | 9B | 77 BPM | ||
| Jazz Breeze | Takata | C Minor | 2 | 5A | 90 BPM | ||
| Man B | #Bloomerangs, Rodrigo G Pahlen, Hernan Romero | D Major | 6 | 10B | 174 BPM | ||
| Valsa Guaraná | Angela Coltri, José Valencia, Pablo Lazarte, Rodrigo Campos, Alexandre Damaria, Claudia Rivera | C Major | 3 | 8B | 142 BPM | ||
| Cine Baronesa | Guinga, Maria João | C Minor | 2 | 5A | 102 BPM | ||
| Retrato Em Branco E Preto | Newton Bossa Trio | A Major | 9 | 11B | 115 BPM | ||
| Sambadi Didi | Quadro Nuevo | B♭ Major | 3 | 6B | 171 BPM | ||
| Vendimia | Toñín Corujo | G Major | 5 | 9B | 90 BPM | ||
| De Esta Tambien Salgo! | Rodrigo G Pahlen | D♭ Major | 6 | 3B | 100 BPM | ||
| No. 9 del Mordente | Sai Conde | C Minor | 2 | 5A | 102 BPM | ||
| Abuelo | Manu Norena | B♭ Major | 4 | 6B | 78 BPM | ||
| Heartbeat of Rio | Julian Rivers | F Minor | 3 | 4A | 197 BPM | ||
| Frégate | Marc Benham | C Minor | 2 | 5A | 102 BPM | ||
| Smoothie | Sören Ahlbäck | F Minor | 4 | 4A | 140 BPM | ||
| Il pleut sur de la Commune | The Sunset Hill Jazz Band, Paul Rossy | A♭ Major | 3 | 4B | 125 BPM | ||
| Intense love | Midnight Jazz | C Minor | 2 | 5A | 102 BPM | ||
| Benny Golson's Dream | Bob Salmieri, Manosanta Hard Soul, Danilo Gambardella, Francesco Consaga, Maurizio Perrone, Carlo Colombo | B♭ Minor | 5 | 3A | 132 BPM | ||
| It Might As Well Be Springleik | Carl Petter Opsahl, Johannes Opsahl | G Minor | 0 | 6A | 71 BPM | ||
| Andalúziai Éjszaka | Dr. Jazz Duo | B♭ Minor | 3 | 3A | 141 BPM |