Nicholas Sackman, Bochmann String Quartet's 'String Quartet No. 2: III. —' had a release date set for April 1, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 8 in Bochmann String Quartet: Sackman / Nicholson by Bochmann String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. String Quartet No. 2: III. — is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of String Quartet No. 2: III. — by Nicholas Sackman, Bochmann String Quartet is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | D♭ Major | 1 | 3B | 110 BPM | ||
| Variations on a Rococo Theme, Op. 33, TH 57: Cadenza | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 128 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
| Cello Sonata in C Major, Op. 65: II. Scherzo-Pizzicato. Allegretto | Benjamin Britten, Sheku Kanneh-Mason, Isata Kanneh-Mason | D Major | 1 | 10B | 143 BPM | ||
| Ravel: String Quartet, M. 35: II. Assez vif - Très rythmé | Maurice Ravel, Quatuor Ébène | F Major | 0 | 7B | 144 BPM | ||
| Nebenstück | Gérard Pesson, Ensemble Recherche | C Major | 0 | 8B | 100 BPM | ||
| Tandem: I. Con freschezze | Jörgen Dafgård, Carl-Johan Stjernstrom, Benjamin Schmid, Musica Vitae, Joachim Gustafsson | D♭ Minor | 1 | 12A | 116 BPM | ||
| 5 Bagatelles for clarinet and piano, Op. 23: 5. Fughetta - Allegro vivace | Gerald Finzi, Emma Johnson, Malcolm Martineau | F Major | 1 | 7B | 134 BPM | ||
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Ravel: Violin Sonata No. 2 in G Major, M. 77: II. Blues. Moderato | Maurice Ravel, Renaud Capuçon, Frank Braley | F Minor | 1 | 4A | 114 BPM | ||
| Three Essays: Second Essay (Echo) | Caroline Shaw, Attacca Quartet | D Minor | 0 | 7A | 140 BPM | ||
| Concerto for Violin and Orchestra, Op. 36: II. Andante grazioso | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko, Patricia Kopatchinskaja | D♭ Major | 1 | 3B | 110 BPM | ||
| Seis piezas a Violeta (2023 Version for String Orchestra & Piano): III. Ritmo Genésico | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Joanne Pearce Martin | E Major | 0 | 12B | 57 BPM | ||
| Scythian Suite, Op. 20 "Ala i Lolli": III. Night | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | A Major | 0 | 11B | 72 BPM | ||
| Sonata für Oboe Solo: I. Langsam – Beschleunigend | Jürg Wyttenbach, Heinz Holliger | B♭ Minor | 0 | 3A | 77 BPM | ||
| Bartók: String Quartet No. 3 in C-Sharp Minor, Sz. 85: I. Prima parte. Moderato | Béla Bartók, Belcea Quartet | B♭ Minor | 1 | 3A | 89 BPM | ||
| Petrushka: Danse Russe | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Kleine Gigue in G Major, K.574 | Wolfgang Amadeus Mozart, András Schiff | A Major | 2 | 11B | 133 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Ronald Brautigam, Peter Masseurs, Royal Concertgebouw Orchestra, Riccardo Chailly | C Major | 0 | 8B | 69 BPM | ||
| Viola Sonata: II. Vivace | Rebecca Clarke, Philip Dukes, Sophia Rahman | E Major | 0 | 12B | 118 BPM | ||
| The Rite of Spring: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky, Teodor Currentzis, musicAeterna | G Major | 0 | 9B | 110 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
| Bachianas brasileiras No. 7: III. Toccata. Desafio (Joust) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | B Minor | 3 | 10A | 111 BPM | ||
| Toward the Sea: I. The Night | Toru Takemitsu, Alexej Gerassimez, NDR Radiophilharmonie, Gordon Hamilton | A♭ Major | 0 | 4B | 105 BPM |