"Concerto grosso No. 4 in F Major, Op. 3/4, HWV 315: III. Allegro" by George Frideric Handel, Jonathan Cohen, Arcangelo had its release date on June 29, 2018. With This song being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Christopher Purves, Arcangelo, Jonathan Cohen's "Handel: Finest Arias for Base (Bass) Voice, Vol. 2" album is number 9 out of 22. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Concerto grosso No. 4 in F Major, Op. 3/4, HWV 315: III. Allegro's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso No. 4 in F Major, Op. 3/4, HWV 315: III. Allegro by George Frideric Handel, Jonathan Cohen, Arcangelo to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| J.S. Bach: Goldberg Variations, BWV 988 (Arr. for Chamber Orchestra by Alexander Vittal): Aria | Johann Sebastian Bach, Baroque Chamber Orchestra of Colorado, Cynthia Miller Freivogel | F♯ Major | 2 | 2B | 148 BPM | ||
| Concerto No. 7 in G Minor After D. Scarlatti: IV. Allegro affettuoso | Charles Avison, Jeanne Lamon, Tafelmusik Baroque Orchestra | A♭ Major | 2 | 4B | 131 BPM | ||
| Concerto a cinque No. 6, Op. 7: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | B♭ Minor | 1 | 3A | 87 BPM | ||
| Telemann: Concerto for Oboe and Violin, TWV 52:c1: II. Allegro (Formerly Attributed to Vivaldi as RV Anh. 17) | Georg Philipp Telemann, Jaap Schröder, Michel Piguet, Concerto Amsterdam | F♯ Minor | 3 | 11A | 101 BPM | ||
| Naïs - Sarabande | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | A♭ Major | 1 | 4B | 96 BPM | ||
| Concerto in F Major, S. 235: V. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 148 BPM | ||
| Concerti á 5 for Little Flaut, Due Violini, Alto et Basso, No. 4 in D Major: III. Allegro | Bartolomeo Bernardi, Giuseppe Torelli, Höör Barock, Emelie Roos | D♭ Major | 2 | 3B | 134 BPM | ||
| Rameau: Les Boréades, Act 4: Air pour les saisons et les zéphirs | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D Major | 3 | 10B | 111 BPM | ||
| Sonata II In G Minor: II. Allegro (Muffat) | Georg Muffat, Masques | F♯ Minor | 1 | 11A | 136 BPM | ||
| The Fairy Queen Z 629: Hornpipe In G Minor | Henry Purcell, Arcangelo, Jonathan Cohen | F♯ Major | 0 | 2B | 162 BPM | ||
| Introduttione IV in G Major, Op. 4 No. 4: II. Andante | Pietro Locatelli, Fabio Biondi, Europa Galante | A♭ Major | 1 | 4B | 123 BPM | ||
| Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Concerto à più instrumenti in D Major, Op. 5, No. 6: I. Allegro | Evaristo Felice Dall'Abaco, Nadja Zwiener, Tuomo Suni, Harry Bicket, The English Concert | D♭ Major | 4 | 3B | 122 BPM | ||
| Concerto grosso No. 11 in B-Flat Major, Op. 6: I. Preludio (Andante largo) | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Alba Roca | E Major | 2 | 12B | 80 BPM | ||
| Denn du wirst meine Seele nicht in der Hölle lassen, JLB 21: VIII. Sonata | Johann Ludwig Bach, Capella Sollertia, Johanna Soller | F♯ Major | 2 | 2B | 148 BPM | ||
| Concerto Grosso in E Minor, Op. 1, No. 4: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 159 BPM | ||
| Symphony in D Minor, W. I/3: I. Allegro | Johann Christoph Friedrich Bach, Concerto Köln | E♭ Minor | 1 | 2A | 82 BPM | ||
| Symphony in E-Flat Major, W. I/10: III. Allegro assai | Johann Christoph Friedrich Bach, Concerto Köln | A Major | 2 | 11B | 120 BPM | ||
| Concerto for Strings in G Minor, RV 157: II. Largo | Antonio Vivaldi, Jeanne Lamon, Tafelmusik Baroque Orchestra | F♯ Minor | 1 | 11A | 56 BPM | ||
| Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | ||
| Violin Concerto in E Minor, S. C788, Op. 1 No. 2: IV. Prestissimo | Benedetto Marcello, Amandine Beyer, Gli Incogniti | B Minor | 3 | 10A | 118 BPM | ||
| Ouverture-Suite In D Major TWV 55:D6: VI. Courante | Georg Philipp Telemann, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 89 BPM | ||
| Mystery Sonata No. 11 "The Resurrection": II. Surrexit Christus Hodie | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | F♯ Major | 1 | 2B | 135 BPM | ||
| Locatelli : Concerto grosso in E flat major Op.4 No.10 : I Adagio | Pietro Locatelli, Concerto Köln | F♯ Minor | 2 | 11A | 139 BPM |