"All That Remains" by Jared Emerson-Johnson had its release date on September 10, 2019. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The Walking Dead: The Telltale Series Soundtrack (Season 2, Pt. 1)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. In terms of popularity, All That Remains is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All That Remains by Jared Emerson-Johnson having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fathers and Sons | Jared Emerson-Johnson | G Minor | 3 | 6A | 72 BPM | ||
| Jasir | Pawel Blaszczak | G Minor | 1 | 6A | 80 BPM | ||
| The Quarry Main Theme | Ian Livingstone | F Minor | 7 | 4A | 120 BPM | ||
| The Shifting Mound (Movement I) | Brandon Boone, Amelia Jones | C Minor | 0 | 5A | 65 BPM | ||
| The Wheel | Woody Jackson | C Minor | 2 | 5A | 142 BPM | ||
| A False Freedom - Markus | John Paesano | B♭ Minor | 2 | 3A | 66 BPM | ||
| Jane’s Demise | Dave Porter | B♭ Minor | 0 | 3A | 143 BPM | ||
| Floden | Joel Bille | G Major | 3 | 9B | 115 BPM | ||
| Creepy Caller | Brian Reitzell | A♭ Major | 1 | 4B | 75 BPM | ||
| Togetherness II | Tobias Lilja | F Major | 2 | 7B | 120 BPM | ||
| Deliberations | Dave Porter | G Major | 0 | 9B | 120 BPM | ||
| Max et Chloe (Live Version) | Arcadia, Forever | F Major | 1 | 7B | 144 BPM | ||
| Wellington | Jared Emerson-Johnson | C Minor | 1 | 5A | 80 BPM | ||
| Against the Rocks | scntfc | D Minor | 6 | 7A | 181 BPM | ||
| Funeral | Dorian Behner | F Minor | 1 | 4A | 107 BPM | ||
| Ghosts of the Past | David Housden | E♭ Major | 4 | 5B | 120 BPM | ||
| D.S. Al Coda | Ryan Roth | F♯ Minor | 4 | 11A | 64 BPM | ||
| Little Lost Things | Tobias Lilja | E♭ Major | 1 | 5B | 72 BPM | ||
| Twist of Fate | Jared Emerson-Johnson | G Minor | 3 | 6A | 72 BPM | ||
| The House, Part 1 (Original) | Chris Remo | C Major | 1 | 8B | 71 BPM | ||
| Between Life and Death | Metro Exodus, Alexey Omelchuk | D Major | 1 | 10B | 87 BPM | ||
| The Garage | Wilbert Roget, II | C Major | 1 | 8B | 76 BPM | ||
| Reconciliation | Bear McCreary | A♭ Major | 1 | 4B | 88 BPM | ||
| Infiltration | Kota Suzuki, 内山 修作 | F♯ Major | 1 | 2B | 140 BPM | ||
| Love Me Some Walking | Nigel Godrich | B♭ Major | 3 | 6B | 99 BPM |