On September 23, 2022, the song "To Shiri Mandira Sara Buli Aili" was released by Tanisha Panda. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Mun Bi Namita Agrawal Hebi 2 Studio Round 4" album is number 14 out of 22. On top of that, India appears to be the country where this track was created. In terms of popularity, To Shiri Mandira Sara Buli Aili is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of To Shiri Mandira Sara Buli Aili by Tanisha Panda to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahabahu | Kumar Bapi | G Major | 7 | 9B | 84 BPM | ||
| Mate Maa Maa Boli Dakiba Kie | Tanisha Panda | A Minor | 9 | 8A | 80 BPM | ||
| Mo Dehare Odhani Padichi Nua Nua 1 | Neha Niharika, Saswati Narayani Acharya | E Minor | 8 | 9A | 128 BPM | ||
| Kanipakamulona | A. Ramadevi | A Minor | 8 | 8A | 135 BPM | ||
| Lal Sindura | Shailabhama Mohapatra | A♭ Major | 9 | 4B | 142 BPM | ||
| Sarami Lata | Ruku Suna, Arpita Choudhary | B Minor | 10 | 10A | 115 BPM | ||
| Yaramma Navilanneri Bandavan | B. R. Chaya | B♭ Major | 6 | 6B | 137 BPM | ||
| To Pain Nia Ku Deinli Mu | Sasmita Mishra | C Minor | 8 | 5A | 67 BPM | ||
| Khat Khasra | Ruku Suna, Panka | A♭ Major | 10 | 4B | 149 BPM | ||
| Aadiwashi 2 Jhoom Lebe Bastariha | Hiresh Sinha, Jiteshwari Sinha | E♭ Minor | 9 | 2A | 116 BPM | ||
| Mausi Kahe Pua | Subas Das | A♭ Major | 8 | 4B | 143 BPM | ||
| Shri Krushna Govinda He | Sailabhama Mohapatra | F♯ Major | 6 | 2B | 61 BPM | ||
| Good Morningandi | Vandemataram Srinivas, Swarnalatha | D♭ Minor | 8 | 12A | 102 BPM | ||
| Tuli Tuli Tara Tuli | Subrat Moharana | G Minor | 9 | 6A | 170 BPM | ||
| Sei Deepa Achhi | Prasant Muduli | B♭ Major | 5 | 6B | 81 BPM | ||
| Jardan Nadi | Pankaj Roy, Monika Mundu | A♭ Major | 8 | 4B | 174 BPM | ||
| Raipur Jila Returns | Durjay Soni, Aarti | A♭ Minor | 9 | 1A | 80 BPM | ||
| Mana Mora Eka Kagajara Naa | BISHNU MOHAN KABI | E Major | 8 | 12B | 116 BPM | ||
| Tuzya Vachun Rahvana Mala | Prashant Thombare | A♭ Major | 6 | 4B | 92 BPM | ||
| Pindhani Tor Bhangide | SET Sambalpur | G Minor | 9 | 6A | 86 BPM | ||
| Chadhti Jawani Solah | Alka Chnadrakar, Anuj Sharma | C Major | 9 | 8B | 142 BPM | ||
| Hai Tor Bindia | Santanu Sahu | B♭ Minor | 8 | 3A | 76 BPM | ||
| Morey Iduve Paadadhalli | B. R. Chaya | A♭ Major | 7 | 4B | 93 BPM | ||
| Juaade Jaauchu Jaa Gadibaalaa | Aradhya Panda, Tanisha Panda | F Minor | 8 | 4A | 127 BPM | ||
| Mahani Maara Mahani Lagiche | Sailabhama Mohapatra | F♯ Major | 9 | 2B | 90 BPM |