"Sooner A" by Andiamo had its release date on November 22, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Sooner". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Based on our statistics, Sooner A's popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Sooner A by Andiamo having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
| Cavalleria Rusticana (1987 Digital Remaster): Inneggiamo, il Signor non è morto (Santuzza/Chorus/Mamma Lucia) | Riccardo Muti, Montserrat Caballé, Astrid Varnay, Ambrosian Opera Chorus, Philharmonia Orchestra | G Major | 3 | 9B | 88 BPM | ||
| Bohemios: Coro de Bohemios | Amadeo Vives, Maria Bayo, Orquesta Sinfonica De Tenerife, Antonio Ros Marbà, Coro Polifonico De La Universidad De La Laguna, Coral Universitaria De La Laguna, Coral "reyes Bartlet" De Puerto De La Cruz | A♭ Major | 4 | 4B | 124 BPM | ||
| Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| A Gramadora | Domenico Martuzzi, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 3 | 10B | 93 BPM | ||
| Presssacklied | Martin Frank | E♭ Major | 4 | 5B | 85 BPM | ||
| La alegría del batallón: "Aquí está quien lo tiene tó y no tiene ná" (Tajuña) | Jose Serrano, Orquesta Juvenil Sinfonía por el Perú, Guillermo García Calvo, Juan Diego Flórez | D Major | 1 | 10B | 75 BPM | ||
| Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Strauss II, J: La chauve-souris, Act 2: Couplets. "Versez-nous le champagne" (Orlofsky, Arlette, Gaillardin, Chœur) | Johann Strauss II, Franck Pourcel, Choeurs Rene Duclos, Jacques Pruvost, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
| Un' Aura Amorosa | Luciano Pavarotti | E♭ Major | 1 | 5B | 117 BPM | ||
| Gianni Schicchi: Aria "O mio babbino caro" | Giacomo Puccini, Royal Philharmonic Orchestra, Charles Dutoit, Deborah Norman | A♭ Major | 2 | 4B | 174 BPM | ||
| Gigantes y Cabezudos: Introduccion y Disputa | Manuel Fernandez Caballero, Orfeon Donostiarra, Ataúlfo Argenta | G Major | 5 | 9B | 96 BPM | ||
| Il tango delle capinere | Leo Nucci, Salotto Ottocento Ensemble | D Major | 4 | 10B | 82 BPM | ||
| Non ti scorder de me (Furnò) - 2010 Digital Remaster | Symphonie-Orchester Graunke, Willy Mattes, Nicolai Gedda | F Minor | 1 | 4A | 174 BPM | ||
| Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
| Talk to me | Andiamo | E Minor | 4 | 9A | 100 BPM | ||
| Lecuona: María la O: "Eschucha al ruisenor" | Lisette Oropesa | E♭ Major | 1 | 5B | 93 BPM | ||
| La Wally/Ebben, Ne Andrò Lontana | Montserrat Caballé, Orquesta Sinfónica de Barcelona | E Minor | 1 | 9A | 79 BPM | ||
| Turandot, SC 91: "Nessun dorma" | TRE VOCI, Darek Tarczewski Orchestra | D♭ Major | 4 | 3B | 82 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| TZM Rework - Bombilla Remix | Andiamo, Bombilla | B♭ Major | 8 | 6B | 128 BPM | ||
| La canción del olvido: Serenata soldado de Nápoles | Pablo Sorozábal | C Major | 4 | 8B | 117 BPM | ||
| Buzzi-Peccia: Lolita | Luciano Pavarotti, Orchestra, Henry Mancini, Andrea Griminelli | F♯ Major | 2 | 2B | 72 BPM | ||
| O mio babino caro - Live | Wendy Kokkelkoren, The Maestro & The European Pop Orchestra, Guido Dieteren | C Major | 3 | 8B | 80 BPM |