Die Rheinnixen: Komm zu uns und sing und tanze by Jacques Offenbach, Wiener Philharmoniker, Tugan Sokhiev, Vienna Boys' Choir Song Details

"Die Rheinnixen: Komm zu uns und sing und tanze" by Jacques Offenbach, Wiener Philharmoniker, Tugan Sokhiev, Vienna Boys' Choir had its release date on July 11, 2025. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Sommernachtskonzert 2025 / Summer Night Concert 2025". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. Based on our statistics, Die Rheinnixen: Komm zu uns und sing und tanze's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Die Rheinnixen: Komm zu uns und sing und tanze by Jacques Offenbach, Wiener Philharmoniker, Tugan Sokhiev, Vienna Boys' Choir having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.

Music Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 20%
Loudness: -28.601 dB
Acousticness: 87%
Danceability: 17%
Energy: 4%
Instrumentalness: 31%
Liveness: 36%
Loudness: 52%
Speechiness: 4%
Valence: 11%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Fächer - polonaise Op. 525 - Arr. Max Schoenherr	Carl Michael Ziehrer, Wiener Philharmoniker, John Eliot Gardiner	D Major	3	10B	93 BPM
Lohengrin, WWV 75, Act III: Treulich geführt ziehet dahin "Bridal Chorus"	Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado	C Major	1	8B	75 BPM
Giuditta / Act IV: Meine Lippen, die küssen so heiss	Anna Netrebko, Prague Philharmonia, Emmanuel Villaume	E Major	2	12B	83 BPM
Gabriel's Oboe (From "The Mission")	Ennio Morricone, Gautier Capuçon, Johanna Malangré, Orchestre national de Bretagne	A♭ Minor	2	1A	113 BPM
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Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Aria: Schafe können sicher weiden	Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl	B Major	1	1B	167 BPM
Hungarian Dance No.20 In E Minor	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	E Minor	1	9A	76 BPM
Handel: Serse, HWV 40, Act 1: "Frondi tenere... Ombra mai fu" (Xerse)	Philippe Jaroussky	E Major	1	12B	75 BPM
The Well-Tempered Clavier I: Prelude and Fugue No. 1 in C Major, BWV 846: I. Prelude (Arr. for Violin, String Quintet and Piano by Tim Allhoff)	Johann Sebastian Bach, Eldbjørg Hemsing, Norwegian String Quintet, Tim Allhoff	C Major	3	8B	101 BPM
Gianni Schicchi: O mio babbino caro	Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra	E Major	2	12B	91 BPM
Vocalise, Op. 34, No. 14	Sergei Rachmaninoff, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister	D♭ Minor	2	12A	83 BPM
Polka della Liberazione	Paolo Buonvino	A Major	2	11B	84 BPM
The Bohemian Girl - Arr. by Karel Mark Chichon: I Dreamt I Dwelt in Marble Halls	Michael William Balfe, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon	D Major	1	10B	87 BPM
Prière et boléro, Op. 22: II. Boléro	Jacques Offenbach, Sol Gabetta, Cappella Gabetta	D♭ Major	1	3B	172 BPM
Bombones de Viena Op. 307	Gran Orquesta Vienesa	F Major	3	7B	187 BPM
Two Waltzes in A Major, Op. 39, No. 15 & Op. 52, No. 6 (Arr. Stephan Koncz)	Johannes Brahms, Andreas Ottensamer, Leonidas Kavakos, Christoph Koncz, Antoine Tamestit, Stephan Koncz, Odon Racz	D Major	3	10B	102 BPM
Waltz aus der Jazz-Suite Nr. 2	Dmitri Shostakovich, The Philharmonics	G Minor	2	6A	114 BPM
Fledermaus-Quadrille, Op. 363	Johann Strauss II, Wiener Philharmoniker, Yannick Nézet-Séguin	D Major	2	10B	125 BPM
Haydn: Keyboard Concerto in F Major, Hob. XVIII:3: II. Largo cantabile	Joseph Haydn, Leif Ove Andsnes, Norwegian Chamber Orchestra	D♭ Major	2	3B	122 BPM
Jazz Suite No. 2: VI. Waltz 2	Dmitri Shostakovich, Andris Nelsons, Wiener Philharmoniker	C Major	1	8B	176 BPM
2 Romanian Rhapsodies, Op. 11: No. 1 in A Major	George Enescu, Orchestre National De France, Cristian Măcelaru	F Major	2	7B	85 BPM
Thaïs / Acte Deux: Méditation religieuse - Symphonie	Jules Massenet, Renaud Capuçon, Orchestre National Bordeaux Aquitaine, Yves Abel	D Major	2	10B	94 BPM
Carmen-Quadrille, Op. 134	Eduard Strauss, Mariss Jansons, Wiener Philharmoniker	C Major	3	8B	101 BPM