"Marginalia #211" by Masakatsu Takagi had its release date on December 29, 2025. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Marginalia #211 and no other songs are present in the album, we classify this track as a single. The popularity of Marginalia #211 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Marginalia #211 by Masakatsu Takagi to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| In The Middle | The Vernon Spring | D♭ Major | 1 | 3B | 77 BPM | ||
| Sound Image | Lynn Avery, Cole Pulice | C Major | 1 | 8B | 133 BPM | ||
| Whale Song II | The Vernon Spring, Gwilym Gold | F Major | 1 | 7B | 64 BPM | ||
| Soft Focus | Shuta Hasunuma | D Major | 0 | 10B | 81 BPM | ||
| What It's Like to Be a Bat 3 | Finn Streuper | E Major | 1 | 12B | 137 BPM | ||
| Tuesday Sun | Duncan Troast, Charlie Martin | A♭ Major | 1 | 4B | 60 BPM | ||
| The Next Life | Emile Mosseri | E Minor | 2 | 9A | 141 BPM | ||
| Horse County | YeYe | B Major | 0 | 1B | 127 BPM | ||
| Will We Be There | David Moore | E Minor | 2 | 9A | 141 BPM | ||
| touten No.4 | Ayatake Ezaki | G Major | 5 | 9B | 113 BPM | ||
| Long Memories | Keith Kenniff, Goldmund, Scott Moore | F♯ Major | 2 | 2B | 60 BPM | ||
| 雨宿 | Ironomi | C Major | 0 | 8B | 127 BPM | ||
| From Chengdu - Part I | Passepartout Duo | D Minor | 4 | 7A | 100 BPM | ||
| Marginalia #199 | Masakatsu Takagi | F Minor | 4 | 4A | 95 BPM | ||
| Bað (Performed on Piano) | Jóhann Jóhannsson, Alice Sara Ott | C Minor | 0 | 5A | 70 BPM | ||
| moonlight diving | Aoi Mizuno | D♭ Major | 1 | 3B | 74 BPM | ||
| カサブランカ 裏切り | cero | B Minor | 1 | 10A | 95 BPM | ||
| Economic Botany | Lullatone | B♭ Major | 0 | 6B | 68 BPM | ||
| Hakukou | Ayatake Ezaki | E♭ Minor | 2 | 2A | 140 BPM | ||
| My Hand Creates Ripples On The Surface Of The Water - Instrumental | Dorothea Paas | F Major | 3 | 7B | 75 BPM | ||
| Fitz | The Vernon Spring | C Major | 2 | 8B | 132 BPM | ||
| Guardrail | Ben Cosgrove | E Minor | 2 | 9A | 141 BPM | ||
| Hokkaido | Emily A. Sprague | F Major | 4 | 7B | 85 BPM | ||
| Wave of Light - | Masakatsu Takagi | D♭ Major | 1 | 3B | 173 BPM | ||
| 風 | Akira Yoshimura, Shuhei Miida | B♭ Major | 1 | 6B | 91 BPM |