- BPM
- 104
- Key
- F Minor
- Camelot
- 4A
Passagaglie by Bernardo Pasquini, Andrea Chezzi Song Details
On October 30, 2023, the song "Passagaglie" was released by Bernardo Pasquini, Andrea Chezzi. The duration of This song is about 3 minutes long, at 3:07. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Pasquini: Harpsichord Music". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Italy. In terms of popularity, Passagaglie is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
BPM and Tempo
With Passagaglie by Bernardo Pasquini, Andrea Chezzi having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Music Key
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -16.418 dB
- Acousticness
- 85%
- Danceability
- 36%
- Energy
- 28%
- Instrumentalness
- 0%
- Liveness
- 14%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 91%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | |
 | Concert royaux, Quatrième concert in E Minor: VII. Forlane en rondeau. Gaiement | François Couperin, Lucie Horsch, Tom Foster | E♭ Major | 0 | 5B | 72 BPM | |
 | Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | |
 | La sete di Christo, Pt. 1: O insoffribile dolore | Bernardo Pasquini, Francesca Aspromonte, Francisco Fernández-Rueda, Luca Cervoni, Mauro Borgioni, Concerto Romano, Alessandro Quarta | E♭ Minor | 1 | 2A | 110 BPM | |
 | Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | |
 | Madrigali, Op. 1, Book I: No. 18, Al battitor di bronzo della sua crudellissima dama "Quante volte ti bacio, o bronzo amato" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | |
 | Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in C Major, No. 2: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | |
 | La Giuditta: Pt. I: Sinfonia (Version for 3 voices) | Alessandro Scarlatti, Sophie Landy, Raphaël Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 1 | 1B | 72 BPM | |
 | Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 131 BPM | |
 | Dominus regnavit: Parata sedes | Jean-Joseph Cassanéa De Mondonville, Ann Monoyios, Michele DeBoer, Tafelmusik Baroque Orchestra, Ivars Taurins | D♭ Major | 0 | 3B | 62 BPM | |
 | Dido & Aeneas: Dido & Aeneas: Act I, Overture | Henry Purcell, Orchestra of the Age of Enlightenment, René Jacobs | B Minor | 2 | 10A | 94 BPM | |
 | 18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | |
 | Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | |
 | Concerto grosso No. 2 in G Major: III. Andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | G Minor | 1 | 6A | 116 BPM | |
 | Concerto for 2 Flutes in D Major, FWV L:D9: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Sien Huybrechts, Il Gardellino | G Minor | 0 | 6A | 130 BPM | |
 | Caino e Abel: Pt. I: Con affetti si varri nel mondo ancor nascente (Narrator) | Bernardo Pasquini, Gian Paolo Fagotto, Andreana Galante, Teatro Armonico, Il, Alessandro De Marchi | G Minor | 1 | 6A | 61 BPM | |
 | Scarlatti, A: Filli che esprime la sua fede a Fileno: III. Aria. "Chiedi pur ai monti" | Alessandro Scarlatti, Gérard Lesne, Il Seminario Musicale | F♯ Major | 3 | 2B | 103 BPM | |
 | In furore iustissimae irae, RV 626: III. Largo | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Minor | 0 | 11A | 97 BPM | |
 | L'Idalma | Bernardo Pasquini, Charivari Agréable, Stephen Pedder, Kah-Ming Ng | B Major | 1 | 1B | 115 BPM | |
 | Sonata in C Minor, DürG 14: I. Largo | Johann Gottlieb Goldberg, Accademia dell'Annunciata, Riccardo Doni | B Minor | 1 | 10A | 64 BPM | |
 | Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | |
 | Dixit Dominus, HWV 232: II. Virgam virtutis tuae | George Frideric Handel, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | |
 | Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | |
 | Amphitryon, Z. 572, "The 2 Sosias": I. Overture | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 112 BPM | |
 | Magnificat, Wq. 215: Magnificat, Wq. 215: 7. Arie. Suscepit Israel puerum suum (A) | Carl Philipp Emanuel Bach, Wiebke Lehmkuhl, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D♭ Minor | 0 | 12A | 74 BPM |
- ISRC
- ITCC53002322
- Label
- L-M Records/RCA Records