"Celesta Taboo Lament (Title Edit) - Bonus Track" by Max Richter had its release date on September 15, 2017. With This song being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Taboo (Music From The Original TV Series)". In this album, this song's track order is #17. The popularity of Celesta Taboo Lament (Title Edit) - Bonus Track is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Celesta Taboo Lament (Title Edit) - Bonus Track by Max Richter having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio Per Archi E Organo In Sol Minore | Tomaso Albinoni, London Philharmonic Orchestra | C Minor | 4 | 5A | 89 BPM | ||
| Preludium c-moll | Hania Rani, Dobrawa Czocher | C Minor | 0 | 5A | 98 BPM | ||
| Infra 5 | Max Richter, Louisa Fuller, Natalia Bonner, Nick Barr, Ian Burdge, Chris Worsey | F♯ Minor | 3 | 11A | 81 BPM | ||
| The Endless River | Anne Dudley | D♭ Minor | 2 | 12A | 79 BPM | ||
| At Eternity's Gate | Clint Mansell | A Minor | 1 | 8A | 84 BPM | ||
| Because This Must Be | Nils Frahm | C Minor | 1 | 5A | 133 BPM | ||
| Precious Swirl | Brice Davoli | G Major | 3 | 9B | 183 BPM | ||
| Go Back to Your Friends | Nico Muhly | G Major | 2 | 9B | 79 BPM | ||
| Tempus Fugit | Francesco D'andrea | G Minor | 5 | 6A | 100 BPM | ||
| Petit Trianon | Brice Davoli | G Minor | 5 | 6A | 124 BPM | ||
| Clouds, The Mind on the (Re)Wind | Ezio Bosso | D Minor | 2 | 7A | 100 BPM | ||
| August 3rd, 1896 | Mark Isham | D♭ Major | 3 | 3B | 78 BPM | ||
| Godspeed, Doctor | Jon Ekstrand | D♭ Major | 2 | 3B | 84 BPM | ||
| Dirty War | Bryce Dessner | F Minor | 2 | 4A | 120 BPM | ||
| Di Speme e di Coraggio | Paolo Buonvino, Coro Cappella Musicale Lauretana | A Minor | 2 | 8A | 132 BPM | ||
| She Was Different | David Arnold, Michael Price | A♭ Major | 2 | 4B | 77 BPM | ||
| Solveig's Song from Peer Gynt Suite No. 2, Op. 55 | BBC Scottish Symphony Orchestra | A Minor | 2 | 8A | 75 BPM | ||
| The Departure | Michael Nyman | D Minor | 3 | 7A | 178 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| ivory morning | eire music | E♭ Major | 1 | 5B | 132 BPM | ||
| Shadow Journal | Max Richter, Tilda Swinton, Louisa Fuller, Natalia Bonner, John Metcalfe, Philip Sheppard, Chris Worsey | G Minor | 1 | 6A | 143 BPM | ||
| Asturias / In the Mirror | Javier Navarrete | E Major | 5 | 12B | 110 BPM | ||
| Nonviolent Offender | Max Richter | A Minor | 2 | 8A | 88 BPM | ||
| When You Gotta Go You Gotta Go | Christian Lundberg | C Minor | 0 | 5A | 77 BPM | ||
| Le temps qui passe | Grégoire Hetzel | D♭ Major | 2 | 3B | 126 BPM |