- BPM
- 137
- Key
- E♭ Major
- Camelot
- 5B
Trois Pièces, Op. 29: II. Cantilène by Gabriel Pierné, Ben van Oosten Song Details
"Trois Pièces, Op. 29: II. Cantilène" by Gabriel Pierné, Ben van Oosten had its release date on August 1, 2011. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 16 in A Festival of French Organ Music by Ben van Oosten. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Trois Pièces, Op. 29: II. Cantilène's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Trois Pièces, Op. 29: II. Cantilène by Gabriel Pierné, Ben van Oosten is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
Music Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -32.869 dB
- Acousticness
- 69%
- Danceability
- 15%
- Energy
- 2%
- Instrumentalness
- 92%
- Liveness
- 11%
- Loudness
- 45%
- Speechiness
- 4%
- Valence
- 5%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Trois petites pièces: Clair de Lune | Augusta Holmès, Juliette Hurel, Hélène Couvert | F Minor | 0 | 4A | 81 BPM | |
 | Britten: Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | C Major | 0 | 8B | 173 BPM | |
 | Romance in G Minor | Sergei Rachmaninoff, Quatuor Alfama | B♭ Major | 0 | 6B | 90 BPM | |
 | Rêve d'enfant, Op. 14 (Arr. for Violin & Piano) | Eugène Ysaÿe, Minami Teramoto, Mizuho Teramoto | B♭ Minor | 1 | 3A | 64 BPM | |
 | Debussy: Petite Suite ~ En Bateau | Anthony & Joseph Paratore | G Major | 0 | 9B | 67 BPM | |
 | Suk: Serenade for Strings in E-Flat Major, Op. 6: II. Allegro ma non troppo e grazioso | Josef Suk, London Chamber Orchestra, Christopher Warren-Green | F♯ Major | 1 | 2B | 107 BPM | |
 | Piano Trio in C Minor: III. Adagio | Nikolai Rimsky-Korsakov, Trio Karénine | A Major | 4 | 11B | 124 BPM | |
 | Franck / Transc. Bauer: Prélude, Fugue et Variation Op. 18, CFF 30B (transcr. H. Bauer) – II. Lento + III. Fugue (Allegretto ma non troppo) | César Franck, Mariam Batsashvili | B♭ Minor | 1 | 3A | 100 BPM | |
 | Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | |
 | Introduction et variations sur une ronde populaire | Gabriel Pierné, Masato Kumoi Sax Quartet | C Major | 1 | 8B | 73 BPM | |
 | Requiem, Op. 48: VII. In Paradisum (Arr. for Piano by Émile Naoumoff) | Gabriel Fauré, Lucas Debargue | C Major | 3 | 8B | 84 BPM | |
 | Easter Sonata: I. Allegro assai moderato | Fanny Mendelssohn, Isata Kanneh-Mason | E Minor | 0 | 9A | 95 BPM | |
 | Kinderszenen (Scenes of childhood), Op. 15: VII. Traumerei (Dreaming) (arr. P. Gaubert) | Philippe Gaubert, Fenwick Smith, Sally Pinkas | E Minor | 0 | 9A | 73 BPM | |
 | Estudio De Concerto. Op. 14, No.4. Romance Sans Paroles (Romanza Sin Palabras) - Duo-Art 6363 | Ernesto Drangosch, Corina Henriquez de Lima, Peter Phillips | C Major | 0 | 8B | 173 BPM | |
 | Après un rêve, Op. 7 No. 1 (Arr. P. Casals for Cello & Piano) | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F Minor | 1 | 4A | 97 BPM | |
 | Serenade | Gabriel Pierné, Toulouse National Chamber Orchestra, Alain Moglia | A Major | 1 | 11B | 93 BPM | |
 | String Quartet in E flat major: I Adagio ma non troppo | Fanny Mendelssohn, Quatuor Ébène | F Minor | 1 | 4A | 83 BPM | |
 | Kaleidoscope, Op. 18: Nos. 1-3: Good Morning; Promenade; the Hurdy Gurdy Man - Duo-Art D906 | Eugene Goossens, Peter Phillips | C Major | 1 | 8B | 66 BPM | |
 | Graceful Ghost Rag | Valérie Milot, William Bolcom | E♭ Minor | 0 | 2A | 93 BPM | |
 | Solo de Concert Op. 35 | Gabriel Pierné, Masahito Tanaka, Kazue Kojima | F Major | 1 | 7B | 97 BPM | |
 | Etudes Op.109 No.3 Agitato - Allegro Vivace | Friedrich Burgmüller, Julius Hei | E Minor | 0 | 9A | 145 BPM | |
 | Serenade für Streicher, Op. 6: II. Allegro ma non troppo | Josef Suk, Jaroslav Krcek | F♯ Major | 1 | 2B | 81 BPM | |
 | The Lark Ascending: II. Allegretto tranquillo, quasi andante | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Major | 1 | 10B | 88 BPM | |
 | 3 Pieces for cello and piano: No. 3. Vite et nerveusement rythme | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | D♭ Major | 1 | 3B | 151 BPM | |
 | Prelude-Pastorale in A Major | Anatoly Lyadov, Marco Rapetti | B Major | 1 | 1B | 124 BPM |
- ISRC
- DEA141170503
- Label
- L-M Records/RCA Records