On July 11, 2019, the song "Kajrare Naina Gajbe Bate Sanam" was released by Rakesh Mishra. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 5 out of 8 in Alag Andaz Ba by Rakesh Mishra. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Kajrare Naina Gajbe Bate Sanam is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Kajrare Naina Gajbe Bate Sanam by Rakesh Mishra is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fas Jayib Dosara Se | Shivani Singh | C Major | 10 | 8B | 125 BPM | ||
| Rangdar Se Sikh Rangdari | Ankita Singh | G Major | 9 | 9B | 123 BPM | ||
| Kamar Damage | Khesari Lal Yadav | A Minor | 9 | 8A | 110 BPM | ||
| Dhara 376 | Raushan Rohi | C Major | 10 | 8B | 89 BPM | ||
| Gali Mein Maal Ail Ba | Arvind Akela Kallu Ji, Khushboo Tiwari KT | F♯ Minor | 9 | 11A | 120 BPM | ||
| Hota Tohar Sadi Kora Me Ke Ke Dharab | Awadhesh Premi Yadav | D Minor | 7 | 7A | 172 BPM | ||
| Udanbaaz Rajau | Shivani Singh | G Minor | 10 | 6A | 135 BPM | ||
| Chhotki Bahuriya | Indu Sonali | A♭ Major | 9 | 4B | 190 BPM | ||
| Tor Jawani Lago Patna Ke Rajdhani Ge Chhaudi | Saurabh Sugam Yadav | F Minor | 10 | 4A | 88 BPM | ||
| Dil Na Bikau Hamaar | Swati Mishra | B♭ Major | 5 | 6B | 182 BPM | ||
| Kamariya | Akshara Singh, Raushan Singh | A♭ Minor | 10 | 1A | 125 BPM | ||
| Padhai Chalata | Pramod Premi Yadav | F Major | 10 | 7B | 128 BPM | ||
| Piyawa Kiriya Dharave | Ankush Raja, Kalpana Patowary | A♭ Minor | 7 | 1A | 118 BPM | ||
| Ae Raja Badaniya Tutata | Rakesh Mishra, Neelam Giri | G Major | 10 | 9B | 148 BPM | ||
| Hamar Piyaba Chalabe Diesel Gadiya | Deepak Raj Yadav | B♭ Major | 10 | 6B | 130 BPM | ||
| Saiya Khulala Ba Kewadi Killi Thok Da | Praveen Samrat | B♭ Minor | 10 | 3A | 75 BPM | ||
| Patare Balamuwa | Pramod Premi Yadav | D♭ Minor | 10 | 12A | 132 BPM | ||
| Udanbaj Rajau | Anjali Arya | F♯ Major | 7 | 2B | 136 BPM | ||
| Nathuniya | Khesari Lal Yadav, Priyanka Singh | A Major | 10 | 11B | 150 BPM | ||
| Licensee | Neelkamal Singh, Vinay Vinayak | A♭ Minor | 10 | 1A | 160 BPM | ||
| Raja Ji | Pawan Singh, Shivani Singh | B♭ Minor | 10 | 3A | 160 BPM | ||
| Piyawa Sute Bahariya | Rakesh Mishra | G Minor | 10 | 6A | 123 BPM | ||
| Dekhe Khatir Tarse Iyaar | Priyanka Singh | D♭ Minor | 10 | 12A | 126 BPM | ||
| Jahiya Se Aaila | Munni Lal Pyare, Anita Shivani | A♭ Major | 9 | 4B | 160 BPM | ||
| Piyar Farak Wali | Pawan Singh, Anupma Yadav | C Minor | 10 | 5A | 123 BPM |