"Mirror Sequence" by Pye Corner Audio had its release date on December 18, 2020. The duration of This song is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Mirror Sequence's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 52 in Black Mill Tapes (10th Anniversary Box) by Pye Corner Audio. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mirror Sequence is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mirror Sequence by Pye Corner Audio is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Goodnight Vienna | LFO | A Minor | 9 | 8A | 179 BPM | ||
| Cracked | Andy Stott | C Minor | 4 | 5A | 95 BPM | ||
| Anima Mundi | Vril | A Minor | 3 | 8A | 105 BPM | ||
| Sea | Luke Abbott | E♭ Major | 0 | 5B | 75 BPM | ||
| REMAIN - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | D♭ Minor | 4 | 12A | 139 BPM | ||
| Königsforst 1 | GAS | C Major | 5 | 8B | 122 BPM | ||
| Exhumed | Pye Corner Audio | D Major | 3 | 10B | 166 BPM | ||
| Hiatus | Rafael Anton Irisarri | G Minor | 3 | 6A | 92 BPM | ||
| Kite High | Freescha | G Minor | 8 | 6A | 135 BPM | ||
| Ganzfeld Effect | Pye Corner Audio | E Minor | 3 | 9A | 107 BPM | ||
| The Stranger's House | The Radiophonic Workshop | G Major | 3 | 9B | 108 BPM | ||
| Radio Spiritworld - Olga Wojciechowska Rework | Nathan Fake, Olga Wojciechowska | B♭ Major | 4 | 6B | 85 BPM | ||
| The Yet to Come - Pye Corner Audio Remix | Simon Goff, Pye Corner Audio | D Major | 7 | 10B | 115 BPM | ||
| Béton-Brut | The Black Dog | B♭ Minor | 4 | 3A | 116 BPM | ||
| Love In The Time Of Lexapro | Oneohtrix Point Never | A Major | 5 | 11B | 128 BPM | ||
| Transmission One: Lonesome Vale | Pye Corner Audio | B Major | 2 | 1B | 93 BPM | ||
| A2 | Civilistjävel! | A♭ Major | 0 | 4B | 60 BPM | ||
| Painted Flowers Loop | Imaginary Softwoods | C Major | 5 | 8B | 114 BPM | ||
| Outer Space | CHLOE (Thévenin) | G Major | 4 | 9B | 120 BPM | ||
| Deipkier | Craven Faults | D Major | 3 | 10B | 160 BPM | ||
| Berliner Luftikus | Thomas Fehlmann | A♭ Major | 6 | 4B | 110 BPM | ||
| Deep Distance | Ashra | B Major | 2 | 1B | 87 BPM | ||
| Theme Number Four | Pye Corner Audio | F Major | 3 | 7B | 51 BPM | ||
| Displacement | Rafael Anton Irisarri | E♭ Major | 0 | 5B | 87 BPM | ||
| Refuge | Deru | A Minor | 2 | 8A | 60 BPM |