- BPM
- 144
- Key
- B♭ Major
- Camelot
- 6B
Requiem, Op. 9: VII. Lux Aeterna (1961 Version) by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge Song Details
"Requiem, Op. 9: VII. Lux Aeterna (1961 Version)" by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge had its release date on September 9, 2016. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Requiem, Op. 9: VII. Lux Aeterna (1961 Version)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Requiem, Op. 9: VII. Lux Aeterna (1961 Version) by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
Music Key
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -37.664 dB
- Acousticness
- 93%
- Danceability
- 13%
- Energy
- 2%
- Instrumentalness
- 60%
- Liveness
- 22%
- Loudness
- 37%
- Speechiness
- 4%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass, Op. 11, "Cum jubilo": Kyrie | Maurice Duruflé, Didier Henry, Michel Piquemal Vocal Ensemble, Marc Vieillefon, Eric Lebrun, Orchestre De La Cite, Michel Piquemal | A Minor | 1 | 8A | 123 BPM | |
 | Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | |
 | Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | |
 | Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | |
 | 3 Sacred Hymns: 2. Lord Jesus | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | A♭ Major | 3 | 4B | 107 BPM | |
 | Messe solennelle, Op. 16: I. Kyrie | Louis Vierne, Gloucester Cathedral Choir, Mark Lee, David Briggs | D♭ Minor | 1 | 12A | 73 BPM | |
 | Mass of the Americas: VI. Agnus Dei | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM | |
 | Audivi vocem de caelo | John Taverner, Alamire, David Skinner | D♭ Major | 2 | 3B | 136 BPM | |
 | The Mass: Benedictus | Patrick Cassidy, Laude, David Harris, Christoph Bull | E♭ Major | 2 | 5B | 101 BPM | |
 | Requiem, Op. 9: Kyrie | Maurice Duruflé, The Choir of Magdalen College, Oxford, English Sinfonia, Martin Ford | F Major | 1 | 7B | 97 BPM | |
 | In paradisum | Maurice Duruflé, Malena Ernman, Olle Persson, Mattias Wager, Swedish Radio Choir, Fredrik Malmberg | G Major | 1 | 9B | 69 BPM | |
 | Miserere: Tibi soli | Gregorio Allegri, Chorus Sine Nomine, Michael Krenn, Johannes Hiemetsberger | B♭ Major | 1 | 6B | 131 BPM | |
 | Crucifixus a 8 | Antonio Lotti, Les Cris De Paris, Geoffroy Jourdain | C Minor | 1 | 5A | 82 BPM | |
 | Neun Lieder Nr. 9 - Einsamkeit | Hans Koessler, Cantabile Regensburg, Matthias Beckert | D Major | 1 | 10B | 82 BPM | |
 | Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | |
 | St Anne’s Mass: IV. Agnus Dei | James MacMillan, Cappella Nova, Alan Tavener | F Major | 0 | 7B | 64 BPM | |
 | The Mass: Laudamus Te | Patrick Cassidy | D Minor | 1 | 7A | 83 BPM | |
 | Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | |
 | Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | |
 | Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | |
| Messe solennelle pour deux orgues et choeur, Op. 16: V. Agnus Dei | Louis Vierne, Michel Bouvard | A♭ Major | 1 | 4B | 81 BPM | |
 | Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | |
 | Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | |
 | Oculi omnium | Charles Wood, Choir of Gonville & Caius College, Cambridge, Geoffrey Webber | D♭ Major | 3 | 3B | 138 BPM | |
 | The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM |
- ISRC
- GBMY51601607
- Label
- L-M Records/RCA Records