John Dowland, Nigel North's 'Semper Dowland semper dolens, P. 9' had a release date set for December 12, 2006. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 17 in Dowland, J.: Lute Music, Vol. 2 - Dowland's Tears by John Dowland, Nigel North. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Semper Dowland semper dolens, P. 9 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Semper Dowland semper dolens, P. 9 by John Dowland, Nigel North is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Forlorn Hope, P. 2 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Aires de La Mancha: No. 4, Ya Llega el Invierno (Winter Is Upon Us) [arr. P. Galbraith] | Federico Moreno Torroba, Paul Galbraith | B♭ Major | 2 | 6B | 69 BPM | ||
| Second book (1639): Toccata VIII | Alessandro Piccinini, Rosario Conte | F♯ Minor | 0 | 11A | 93 BPM | ||
| Organ Concerto in D Minor, HWV 309, Op. 7 No. 4 (Arr. for Harp & Orchestra by Xavier de Maistre): II. Allegro | George Frideric Handel, Xavier De Maistre, Lucerne Festival Strings | D Major | 1 | 10B | 97 BPM | ||
| Lute Sonata in C Minor, Op. 1, No. 1: II. Allegro un poco | Adam Falckenhagen, Andrew Maginley | B Major | 2 | 1B | 84 BPM | ||
| Iphigénie en Tauride, Act II, Scene 3: 1er et 2ème menuets | Henri Desmarets, André Campra, Le Concert Spirituel, Herve Niquet | B♭ Minor | 1 | 3A | 79 BPM | ||
| Suite in D Minor: V. Les derniers paroles | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| The Lone Vale | Traditional, Ronn McFarlane | D Major | 2 | 10B | 101 BPM | ||
| De Visée: Livre de pièces pour la guitare, Suite No. 11 en si mineur: I. Prélude | Manuel Barrueco | B Minor | 1 | 10A | 112 BPM | ||
| Three Feminine Portraits - Lady Hunsdon's Allemande | Hopkinson Smith, John Dowland | B♭ Major | 2 | 6B | 80 BPM | ||
| Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM | ||
| Adue Sweet Love | Tobias Hume, Labyrinto, Paolo Pandolfo | B Major | 1 | 1B | 167 BPM | ||
| A la Santaninfara | Roberta Gennuso, Stefano Vivaldini | D Minor | 0 | 7A | 89 BPM | ||
| VI. 1557 Retiro en San Jerónimo de Yuste: "Mille Regretz" "Canción Del Emperador" (Arpa Renacentista) | Josquin des Prez, Luis de Narváez, Arianna Savall | A Minor | 0 | 8A | 104 BPM | ||
| Oriental (Arr. for Harp & Guitar) | Enrique Granados, Duo Multicorde, Andrés Madariaga, Maria-Theresa Freibott | E Minor | 0 | 9A | 92 BPM | ||
| Prelude, P. 98 | John Dowland, Nigel North | F Minor | 1 | 4A | 70 BPM | ||
| Partita in G Minor: No. 5. Sarabande | Nigel North | F♯ Minor | 1 | 11A | 133 BPM | ||
| Trio in E-Flat Major: II. Andantino | Bernhard Joachim Hagen, Miguel Rincón, Il Pomo D'oro | B Minor | 1 | 10A | 74 BPM | ||
| Corrente detta la Grimalda | Domenico Pellegrini, Albane Imbs | D♭ Major | 1 | 3B | 103 BPM | ||
| Sonata for Lute No. 8 in A Major: V. Ciacona | Silvius Leopold Weiss, Lee Santana | A♭ Major | 1 | 4B | 144 BPM | ||
| Sonata in G Major, Kk. 91: III. Grave | Domenico Scarlatti, Pizzicar Galante, Anna Schivazappa | D♭ Minor | 2 | 12A | 97 BPM | ||
| Glosa Sobre el Cum Sancto (Tiento del Séptimo Tono) | Alonso Mudarra, Hopkinson Smith | B Minor | 1 | 10A | 108 BPM | ||
| Manuscrit Vaudry de Saizenay: Chaconne | Nicolas Hotman, Les Kapsber'girls | B Major | 0 | 1B | 130 BPM | ||
| Praambulum | Jean-Baptiste Besard, Joachim Held | F♯ Minor | 1 | 11A | 87 BPM | ||
| Children's Corner, L. 113 (Arr. for Guitar by Johan Smith): V. The Little Shepherd | Claude Debussy, Johan Smith | E Major | 0 | 12B | 129 BPM |