Maria Linnemann, Heike Matthiesen's ' "Adio mi amor" was released on its scheduled release date, May 15, 2020. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Adio mi amor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Heike Matthiesen's "Guitar Ladies" album is number 26 out of 26. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Adio mi amor is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Adio mi amor by Maria Linnemann, Heike Matthiesen to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Aurora Nocturna En Movimiento | Macarena Tapia | A Minor | 3 | 8A | 124 BPM | ||
| Carcassi Study No.3 Op.60 | Mateo Carcassi, John Fulford Music | E Minor | 2 | 9A | 132 BPM | ||
| Opus 20 | Liv Mattinen | E Minor | 2 | 9A | 130 BPM | ||
| Nostalgias de Febrero | Gerson Lizama | D♭ Minor | 2 | 12A | 112 BPM | ||
| Summer | Guy Ben Zvi | A Minor | 3 | 8A | 124 BPM | ||
| Preludios Epigramáticos: No. 4, Rié, que todo rié. que todo es madre lev | Leo Brouwer, Gerard Cousins | A Minor | 3 | 8A | 124 BPM | ||
| Arroyos de la Alhambra, II. Tonadilla | José María Huertas | A Minor | 3 | 8A | 111 BPM | ||
| Andalusian Cradle Song | Sofia González | A Minor | 1 | 8A | 138 BPM | ||
| Piano | Sönke Meinen, Philipp Wiechert | C Major | 1 | 8B | 97 BPM | ||
| Mirándote | Luis Sierra Guitarrista | D Major | 1 | 10B | 128 BPM | ||
| The Rain Outside the Window | Tao Huang, Xianji Liu | G Major | 1 | 9B | 147 BPM | ||
| Groviglio | Polso Lento | A Minor | 2 | 8A | 118 BPM | ||
| Ocean | Arash Ahmadi | E Minor | 0 | 9A | 82 BPM | ||
| Suite del Plata No. 1: I. Prelude | Maximo Deigo Pujol, Nick Cutroneo | C Major | 1 | 8B | 140 BPM | ||
| MILONGA | Jorge Cardoso, Anabel Montesinos, Özberk Miraç Sarıgül | D Minor | 4 | 7A | 118 BPM | ||
| Videvisan | Cim Frode | B♭ Minor | 0 | 3A | 124 BPM | ||
| Serie Americana: I. Preludio | Hector Ayala, Roberto Aussel | D Minor | 2 | 7A | 106 BPM | ||
| Preludio en Do menor | Agustín Barrios Mangoré, Stephen Wake | C Minor | 2 | 5A | 92 BPM | ||
| grande y fuerte | guitarra de dios | A♭ Major | 1 | 4B | 133 BPM | ||
| Prelude XII | Per-Olov Kindgren | C Major | 1 | 8B | 99 BPM | ||
| La Tarde Que Te Pensé | Macarena Tapia | A Minor | 3 | 8A | 124 BPM | ||
| The Gentle Breeze | Mauricio Galbardi | E Major | 1 | 12B | 109 BPM | ||
| Camino a Lara | Pablo Briceño | E Minor | 0 | 9A | 164 BPM | ||
| That Lone Voice Remained | Carlo Matti, Juan Alberto Castillo | D Minor | 2 | 7A | 83 BPM | ||
| The clouds are calling | Ahmed El-Salamouny | E Minor | 1 | 9A | 108 BPM |