Asha Bhosle, Mohammed Rafi's ' "Ek To Surat Pyari" was released on its scheduled release date, January 1, 1962. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Vallah Kya Baat Hai by Roshan, Prem Dhawan, Anand Bakshi. The song's track number on the album is #2 out of 9 tracks. Based on our data, India was the country where this track was produced or recorded. In terms of popularity, Ek To Surat Pyari is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since Ek To Surat Pyari by Asha Bhosle, Mohammed Rafi has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Ek To Surat Pyari being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parda Hata Do | Asha Bhosle, Mohammed Rafi | B♭ Minor | 4 | 3A | 140 BPM | ||
| Chhodenge Na Hum Tera Saath | Anuradha Paudwal, Mohammed Aziz | F♯ Minor | 7 | 11A | 91 BPM | ||
| Ding Dong O Baby Sing | Anuradha Paudwal, Manhar Udhas, Laxmikant–Pyarelal | A Major | 8 | 11B | 94 BPM | ||
| Chhodo Mujhe Jane Do | Anuradha Paudwal, Sonu Nigam | A♭ Major | 10 | 4B | 102 BPM | ||
| Main Chali Main Chali | Lata Mangeshkar, Asha Bhosle, R. D. Burman | D♭ Major | 6 | 3B | 102 BPM | ||
| Ae Dil Ab Kahin Le Ja | Hemant Kumar, Kalyanji-Anandji | G Minor | 6 | 6A | 128 BPM | ||
| Rafta Rafta Woh Meri Hasti Ka Saman | Mehdi Hassan | B♭ Minor | 5 | 3A | 80 BPM | ||
| Chandra Aahe Sakshiila | Sudhir Phadke, Asha Bhosle | A Minor | 3 | 8A | 95 BPM | ||
| Sochta Hoon Ke Maine Tumhen | Krishna Kalle, Mohammed Rafi, Kalyanji-Anandji | E♭ Major | 3 | 5B | 70 BPM | ||
| Mohabbat Inayat Karam Dekhte Hain | Anuradha Paudwal, Pankaj Udhas | F♯ Major | 7 | 2B | 93 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Ajhun Na Aye Balamwa | Suman Kalyanpur, Mohammed Rafi | D Major | 6 | 10B | 93 BPM | ||
| Nahin Nahin Koi Tumsa Haseen - From "Swarag Narak" | Kishore Kumar, Asha Bhosle | F Major | 3 | 7B | 152 BPM | ||
| Hum Tumhare Hain | Asha Bhosle, Sudha Malhotra, S. D. Burman | E Major | 6 | 12B | 121 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Kasme Wade Pyar Wafa | Manna Dey, Kalyanji-Anandji | C Major | 3 | 8B | 92 BPM | ||
| Gagan Yeh Samjhe Chand Sukhi Hai | Jaspal Singh | B Major | 4 | 1B | 125 BPM | ||
| Mere Toote Huye Dil Se | Mukesh, Kalyanji-Anandji | B Major | 5 | 1B | 133 BPM | ||
| Itna Na Mujhse Tu Pyar Badha | Talat Mahmood, Lata Mangeshkar | C Major | 5 | 8B | 200 BPM | ||
| Catcat Mane Billi | Kishore Kumar, Asha Bhosle | B♭ Major | 4 | 6B | 95 BPM | ||
| Tasveer Banata Hoon | Talat Mahmood | F♯ Major | 3 | 2B | 122 BPM | ||
| Bataon Tumhen Pyar Kaise Karoon | Nitin Mukesh, Asha Bhosle, Laxmikant–Pyarelal | E♭ Minor | 6 | 2A | 101 BPM | ||
| Dharti Meri Mata Pita Aasman | Jaspal Singh | D Major | 7 | 10B | 89 BPM | ||
| Maine Rab Se Tujhe | Anuradha Paudwal, Manhar Udhas, Sukhwinder Singh, Laxmikant–Pyarelal | B♭ Minor | 6 | 3A | 90 BPM | ||
| Beqarar Hai Koi | Suraiya, Mohammed Rafi | E♭ Minor | 3 | 2A | 161 BPM |