Vijay Prakash's ' "Come To The Party" was released on its scheduled release date, March 15, 2015. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 8 in the song's album "Son Of Satyamurthy". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Come To The Party's popularity is average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Come To The Party by Vijay Prakash having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naidorintikada | Anjana Sowmya, Ramya Behara | G Minor | 9 | 6A | 139 BPM | ||
| Gumma (From "Ambajipeta Marriage Band") | Shekar Chandra | D Minor | 7 | 7A | 157 BPM | ||
| Jabilammavo | Sagar, Malathi | D♭ Minor | 6 | 12A | 94 BPM | ||
| Killi Killi | Mallikarjun | D Major | 8 | 10B | 86 BPM | ||
| Nippulanti Nirudyogi | L. V. Revanth | B♭ Minor | 6 | 3A | 119 BPM | ||
| MCA | Nakash Aziz | A Minor | 9 | 8A | 84 BPM | ||
| Bhimavaram Balma (From "Anaganaga Oka Raju") | Mickey J. Meyer, Naveen Polishetty, Nutana Mohan, Chandra Bose | B Minor | 9 | 10A | 83 BPM | ||
| Naa Chore | Deepu, Ganga | D♭ Major | 10 | 3B | 120 BPM | ||
| Yemito | Haricharan | C Minor | 5 | 5A | 134 BPM | ||
| Lachhamma | Anup Rubens, Nithin, Thagubothu Ramesh, Murali | A Major | 7 | 11B | 101 BPM | ||
| Ola Olaala Ala | Karunya, Ranina Reddy | B♭ Minor | 6 | 3A | 104 BPM | ||
| Samajavaragamana | Sid Sriram | F♯ Minor | 5 | 11A | 101 BPM | ||
| A Vachi B Pai | M. M. Keeravaani, Mathangi | C Major | 8 | 8B | 100 BPM | ||
| Mella Mellagaa | Sid Sriram, Aditi Bhavaraju, Krishna Kanth | A Minor | 8 | 8A | 84 BPM | ||
| Inka Koncham Saeppu | A.R. Rahman, Vijay Prakash, Sunitha Upadrashta | C Major | 5 | 8B | 135 BPM | ||
| Light Theesko | Baba Sehgal, Murali | G Major | 9 | 9B | 136 BPM | ||
| Dimaak Kharaab - From "Ismart Shankar" | Saketh Komanduri, Keerthana Sharma | G Major | 8 | 9B | 82 BPM | ||
| Hey Akhil | Rahul Pandey, Anup Rubens, Krishna Chaitanya | G Major | 10 | 9B | 138 BPM | ||
| Raja The Great | Ravi Teja, L. V. Revanth, Saketh | G Major | 9 | 9B | 75 BPM | ||
| Masti Masti | Sooraj Santhosh, Shweta Mohan | B Minor | 8 | 10A | 160 BPM | ||
| Jaragandi | Thaman S, Daler Mehndi, Sunidhi Chauhan, Anantha Sriram | F Minor | 9 | 4A | 93 BPM | ||
| Zindabad Zindabad - From "Ismart Shankar" | Sarath - Santhosh, Ramya Behara | G Minor | 9 | 6A | 93 BPM | ||
| Aggipulla Lanti | Gopika Poornima | E Minor | 5 | 9A | 90 BPM | ||
| Aga Naga Naga | Vijay Prakash, Tippu, Ranina Reddy | F♯ Minor | 7 | 11A | 116 BPM | ||
| Rangu Rangu Kallajodu | Hemachandra Vedala, Sravana Bhargavi | G Major | 9 | 9B | 115 BPM |