Keith Harrison-Broninski, Pee Wee Ellis's ' "Tag Alone" was released on its scheduled release date, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Keith Harrison-Broninski's "My Neighbourhood" album is number 3 out of 9. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Tag Alone's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Tag Alone by Keith Harrison-Broninski, Pee Wee Ellis to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Apollo | Nils Janson | C Major | 1 | 8B | 81 BPM | ||
| Wives And Lovers | David Hazeltine | C Minor | 4 | 5A | 114 BPM | ||
| Waiting For My Train To Come | Keith Harrison-Broninski | C Major | 3 | 8B | 118 BPM | ||
| Fair Weather | Jeremy Pelt | B♭ Minor | 4 | 3A | 110 BPM | ||
| Why Try to Change Me Now | Fiona Apple | B♭ Major | 1 | 6B | 112 BPM | ||
| So It Is | Preservation Hall Jazz Band | F Minor | 3 | 4A | 120 BPM | ||
| Orchestersuite No. 2 h-Moll BWV 1067: 8. Badinerie (Arr. Stefan König) | Johann Sebastian Bach, Stephan-König-Trio, Stephan König | G Major | 1 | 9B | 95 BPM | ||
| Movement Seven - Timbuktu | Omri Mor, Yosef Gutman | F Major | 2 | 7B | 108 BPM | ||
| Zamba para No Morir | Ariel Ramírez | F Minor | 2 | 4A | 143 BPM | ||
| How Do I Say Goodbye | Sullivan Murphy | G Minor | 1 | 6A | 146 BPM | ||
| Lament of the lambs | Ash Lee | A Minor | 1 | 8A | 110 BPM | ||
| Just Now, Var. III | Anat Fort | F Minor | 0 | 4A | 79 BPM | ||
| Short And Sweet | Esperanza Spalding | G Minor | 1 | 6A | 102 BPM | ||
| Fast and Largo | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | E♭ Major | 3 | 5B | 73 BPM | ||
| Bon ami | Bill Charlap Trio | B♭ Minor | 0 | 3A | 81 BPM | ||
| Lament | Bennie Maupin | C Minor | 0 | 5A | 70 BPM | ||
| Sixth Avenue | Cedar Walton | B♭ Major | 1 | 6B | 78 BPM | ||
| El Prince - alternate take | Paul Desmond | F Minor | 4 | 4A | 120 BPM | ||
| Blues Dream | Bill Frisell | C Major | 0 | 8B | 75 BPM | ||
| If You Could See Me Now | Chet Baker | F Minor | 2 | 4A | 105 BPM | ||
| Harlem Sunset | Chip White, Gary Bartz, Claudio Roditi, Steve Nelson, Robin Eubanks, Buster Williams | A♭ Major | 2 | 4B | 53 BPM | ||
| Sea Lady | Kenny Wheeler, Norma Winstone, Evan Parker, John Abercrombie, Stan Sulzmann | D Minor | 1 | 7A | 77 BPM | ||
| Who I Am | Sullivan Murphy | C Major | 2 | 8B | 103 BPM | ||
| Despedida | Hareton Salvanini | G Minor | 2 | 6A | 74 BPM | ||
| Rasif | Amaro Freitas | C Major | 1 | 8B | 60 BPM |