George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey's ' "Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum" was released on its scheduled release date, January 1, 1988. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey's "Handel: Dixit Dominus, HWV 232; Nisi Dominus, HWV 238; Salve Regina, HWV 241" album is number 5 out of 19. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Dixit Dominus, HWV 232: V. Tu es sacerdos in aeternum by George Frideric Handel, Arleen Auger, Lynne Dawson, Diana Montague, Leigh Nixon, Simon Birchall, Orchestra of Westminster Abbey, Simon Preston, The Choir Of Westminster Abbey to be Allegro (fast, quick, and bright) because the track has a tempo of 154 BPM, a half-time of 77BPM, and a double-time of 308 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
| Solomon HWV 67 / Act 3: The Arrival of the Queen of Sheba | George Frideric Handel, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 3 | 3B | 101 BPM | ||
| Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
| Mass in C minor, K.427 "Grosse Messe" - Edited Maunder.: Quonium | Wolfgang Amadeus Mozart, Lynne Dawson, Arleen Auger, David Thomas, Academy of Ancient Music, Christopher Hogwood | C Major | 3 | 8B | 87 BPM | ||
| Riders to the Sea: Isn't it turf enough you have (Maurya, Cathleen, Nora) | Ralph Vaughan Williams, Richard Hickox, Royal Northern Sinfonia, Linda Finnie, Lynne Dawson, Ingrid Attrot | B♭ Minor | 0 | 3A | 128 BPM | ||
| Brahms: Ein deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit | Johannes Brahms, Sir Roger Norrington, Lynne Dawson, Schütz Choir of London, London Classical Players | D♭ Major | 1 | 3B | 85 BPM | ||
| Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 0 | 2A | 82 BPM | ||
| Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro | Georg Philipp Telemann, Boris Begelman | F♯ Major | 4 | 2B | 116 BPM | ||
| Suite in D Minor: 2. Sarabande | Louis Couperin, Christopher Hogwood | D♭ Minor | 1 | 12A | 140 BPM | ||
| Handel / Arr. Mackerras & Rothwell: Oboe Concerto No. 2a in B-Flat Major, HWV 301: I. Adagio - II. Allegro | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 2 | 6B | 108 BPM | ||
| Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: I. Allegro | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 1 | 6B | 146 BPM | ||
| If ever I more riches did desire, Z. 544 | Henry Purcell, Nils Brown, Paul Grindlay, Meredith Hall, Gillian Keith, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 60 BPM | ||
| Purcell : King Arthur : Act 1 "I call you all to Woden's Hall" [Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 79 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VI. Domine Deus | Antonio Vivaldi, Nancy Argenta, David Reichenberg, The English Concert, Trevor Pinnock | B Major | 0 | 1B | 132 BPM | ||
| Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Major | 1 | 9B | 102 BPM | ||
| The Creation, Hob.XXI,2: Pt. 1, And God Made the Firmament | Joseph Haydn, Handel & Haydn Society, Matthew Brook, Harry Christophers | A Minor | 1 | 8A | 140 BPM | ||
| Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande, Sigiswald Kuijken | F♯ Minor | 1 | 11A | 106 BPM | ||
| Giulio Cesare in Egitto, HWV 17 / Atto secondo: No. 25 Aria e Coro "Al lampo dell'armi" - Live | George Frideric Handel, Marijana Mijanovic, Charlotte Hellekant, Magdalena Kožená, Anne Sofie von Otter, Bejun Mehta, Pascal Bertin, Alan Ewing, Les Musiciens du Louvre, Marc Minkowski, Jean-Michel Ankaoua | A Major | 4 | 11B | 121 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denley, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | ||
| Messiah, HWV 56 / Pt. 3: "The Trumpet Shall Sound" | George Frideric Handel, Gwynne Howell, John Wilbraham, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 3 | 10B | 124 BPM | ||
| Handel: Coronation Anthem No. 3, HWV 260 "The King Shall Rejoice": V. Alleluja | George Frideric Handel, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury, Alastair Ross | D♭ Major | 3 | 3B | 118 BPM | ||
| Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
| Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
| Requiem: Requiem: XIII. 12. Coro. Lacrimosa | Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | C Major | 2 | 8B | 77 BPM |