Cia Mangat, Cerys Matthews, Hidden Orchestra's ' "She Strikes The Ball Like a Match" was released on its scheduled release date, January 15, 2021. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of We Come From The Sun by Cerys Matthews, Hidden Orchestra. The song's track number on the album is #4 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, She Strikes The Ball Like a Match is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since She Strikes The Ball Like a Match by Cia Mangat, Cerys Matthews, Hidden Orchestra has a tempo of 112 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With She Strikes The Ball Like a Match being at 112 BPM, the half-time would be 56 BPM with a double-time of 224 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nineteen Centuries | Skúli Sverrisson, Eyvind Kang, Anthony Burr, Ted Reichman | C Minor | 6 | 5A | 72 BPM | ||
| 0o0o0o0 | Laura Misch | B♭ Minor | 6 | 3A | 89 BPM | ||
| Nightbook | Floraleda Sacchi | F Minor | 3 | 4A | 138 BPM | ||
| Forever Chemicals | Clark, Nathaniel Timoney, Kieran Brunt, Henrietta Smith-Rolla, Scoring Berlin, Rakhi Singh | A♭ Minor | 3 | 1A | 63 BPM | ||
| Last Venture At The Edge Of The World | Rumpistol | A Major | 3 | 11B | 119 BPM | ||
| Akim | Dijf Sanders | A♭ Major | 5 | 4B | 93 BPM | ||
| The Conversation | Dictaphone | D Minor | 4 | 7A | 132 BPM | ||
| Other | Cloth | B Minor | 7 | 10A | 120 BPM | ||
| Citrus | Clark | B♭ Minor | 1 | 3A | 91 BPM | ||
| Le désert de Sonora | Chapelier Fou | D♭ Major | 3 | 3B | 128 BPM | ||
| Poem From a Rooftop | Dictaphone | B Minor | 3 | 10A | 100 BPM | ||
| The Death of Billy Two-Shoes | Dacrizzow | D Major | 6 | 10B | 136 BPM | ||
| The Violet Hour | Andrew Wasylyk | A Minor | 3 | 8A | 108 BPM | ||
| Isola | Rumpistol | F Minor | 5 | 4A | 120 BPM | ||
| Tangle - Poppy Ackroyd Rework | Hidden Orchestra, Poppy Ackroyd | B♭ Major | 1 | 6B | 142 BPM | ||
| Memory | Itanen | E Minor | 2 | 9A | 105 BPM | ||
| CCMYK4 | Henrik Schwarz, Alma Quartet Amsterdam | D Minor | 4 | 7A | 136 BPM | ||
| Badlands Train | Stubbleman | C Major | 2 | 8B | 144 BPM | ||
| Surge | Ishmael Ensemble | A Minor | 7 | 8A | 115 BPM | ||
| Built You a Mountain | Kronos Quartet, Laurie Anderson | C Minor | 4 | 5A | 91 BPM | ||
| Stoarm | Nynke Laverman | F Minor | 4 | 4A | 180 BPM | ||
| Pasvikdalen | Benjamin Mørk, Arve Henriksen | G Major | 2 | 9B | 134 BPM | ||
| Sikkerhed | Burnt Friedman, Jaki Liebezeit | D♭ Major | 3 | 3B | 121 BPM | ||
| Jula Kuta | Catrin Finch, Seckou Keita | E♭ Major | 1 | 5B | 144 BPM | ||
| Senestre Eldorado | Chapelier Fou | D♭ Major | 3 | 3B | 128 BPM |