Peter's '夜と朝のあいだに' had a release date set for 1970. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 失われた神話, so we believe that "夜と朝のあいだに" is a single. In terms of popularity, 夜と朝のあいだに is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 夜と朝のあいだに by Peter is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| ひまわりの小径 | Cherish | D♭ Major | 3 | 3B | 173 BPM | ||
| 想い出のソレンツァーラ | Peter | E♭ Major | 4 | 5B | 126 BPM | ||
| 赤い屋根の家 | 赤い鳥 | F Major | 5 | 7B | 103 BPM | ||
| 明日は月の上で | Fubuki Koshiji | A♭ Major | 2 | 4B | 122 BPM | ||
| 空よ | Toi et Moi | F Major | 3 | 7B | 112 BPM | ||
| 誰もいない海 | Fubuki Koshiji | C Minor | 3 | 5A | 75 BPM | ||
| 雨がやんだら | Yukiji Asaoka | E♭ Minor | 3 | 2A | 122 BPM | ||
| いとしのマックス | Ichiro Araki | C Minor | 7 | 5A | 149 BPM | ||
| 別れの朝 - 2011 Remaster | 朱里エイコ | D Minor | 5 | 7A | 97 BPM | ||
| 追憶 | Kenji Sawada | E Major | 7 | 12B | 86 BPM | ||
| 水色の恋 | 天地 真理 | E Major | 4 | 12B | 116 BPM | ||
| ゆうべの秘密 | Tomoko Ogawa | G Minor | 2 | 6A | 106 BPM | ||
| この広い野原いっぱい | Ryoko Moriyama | E Major | 3 | 12B | 116 BPM | ||
| Douzo Konomama | Naoko Ken | G Minor | 5 | 6A | 112 BPM | ||
| 恋する者たちよ | Peter | E♭ Major | 4 | 5B | 126 BPM | ||
| 真赤な太陽 | Hibari Misora | D Major | 5 | 10B | 124 BPM | ||
| へんな女 | Hiroshi Mizuhara | D Major | 4 | 10B | 124 BPM | ||
| 愛の奇跡 | Hide & Rosanna | D Minor | 3 | 7A | 123 BPM | ||
| オー・シャンゼリゼ | Peter | E♭ Major | 4 | 5B | 126 BPM | ||
| 人間狩り | Peter | E♭ Major | 4 | 5B | 126 BPM | ||
| 私が死んだら | Mieko Hirota | A♭ Minor | 4 | 1A | 95 BPM | ||
| 砂に消えた涙 | Yukari Itou | A Major | 3 | 11B | 102 BPM | ||
| いつまでも いつまでも(オリジナル・バージョン) | ザ・サベージ | D Major | 9 | 10B | 160 BPM | ||
| ふれあい | Masatoshi Nakamura | C Minor | 2 | 5A | 123 BPM | ||
| 大阪ラプソディー | 海原千里・万里, 明治大学マンドリン倶楽部 | G Minor | 4 | 6A | 112 BPM |