Mikhail Glinka, Inga Fiolia's 'La couventine (Contredanses)' had a release date set for June 8, 2018. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Mikhail Glinka, Inga Fiolia's "Glinka: Complete Piano Works, Vol. 2 – Dances" album is number 10 out of 23. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, La couventine (Contredanses)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of La couventine (Contredanses) by Mikhail Glinka, Inga Fiolia to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Moods, Impressions & Souvenirs, Op. 41, Book 4: No. 139, Lento | Zdeněk Fibich, William Howard | D♭ Major | 0 | 3B | 68 BPM | ||
| Salut d'amour, Op. 12 | Edward Elgar, Daniel Lozakovich, Stanislav Soloviev | E Major | 1 | 12B | 88 BPM | ||
| Ruslan and Lyudmila, Op. 5, Overture | Mikhail Glinka, Alexander Vedernikov, Bolshoi Theatre Orchestra | E Minor | 1 | 9A | 151 BPM | ||
| Zhizn' za tsarya (a Life for the Tsar), a Life for the Tsar, Act III: Duet. Kak mat' ubili u malogo ptentsa [When they killed the mother of the little bird] [Vanya, Susanin] | Mikhail Glinka, I. N. Sokolova, Mark Reizen, Bolshoi Theatre Orchestra, Alexander Melik-Pashayev | E♭ Major | 2 | 5B | 101 BPM | ||
| Barcarolle No. 1 in A Minor, Op. 26 | Gabriel Fauré, Michael Endres | C Major | 1 | 8B | 65 BPM | ||
| Woodforde-Finden: 4 Indian Love Lyrics: No. 4, Till I Wake (Arr. Hough for Piano) | Amy Woodforde-Finden, Martin James Bartlett | E♭ Major | 0 | 5B | 93 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
| Ivan Susanin: Mazurka | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 1 | 5B | 93 BPM | ||
| Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker | D♭ Major | 0 | 3B | 174 BPM | ||
| Piano Concerto No. 2 In F Minor, Op. 21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
| 6 Humoresques de concert, Op. 14, Book 1 "À l'antique": No. 2, Sarabande | Ignacy Jan Paderewski, Yukio Yokoyama | D♭ Minor | 0 | 12A | 64 BPM | ||
| 2 Pieces for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | A♭ Major | 0 | 4B | 74 BPM | ||
| Clara Schumann, Nocturne Op.6 No.2 | Angela Boutros | F♯ Major | 0 | 2B | 134 BPM | ||
| La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
| Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
| 8 Nocturnes, Op. 368: No. 5, Allegretto grazioso e con anima | Carl Czerny, Roberte Mamou | E Major | 1 | 12B | 137 BPM | ||
| Sonata No. 13, Hob. XVI:6: III. Adagio | Joseph Haydn, Jean-Efflam Bavouzet | B♭ Major | 0 | 6B | 75 BPM | ||
| Etude De Concert In F Sharp Minor, Op. 24 | Felix Blumenfeld, Daniel Blumenthal | F♯ Minor | 2 | 11A | 86 BPM | ||
| Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
| Piano Concerto No. 1 in E-Flat Major, S. 124: 1. Allegro maestoso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Minor | 1 | 1A | 120 BPM | ||
| Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | A Major | 1 | 11B | 99 BPM | ||
| Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
| 3 Romances, Op. 11: No. 1, Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
| Polka italienne, TN ii/21 (Arr. V. Gryaznov for Piano) | Sergei Rachmaninoff, Vyacheslav Gryaznov | B♭ Minor | 2 | 3A | 107 BPM |