"Agony Suite (Arr. F. Strobel): III. Tango" by Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Frank Strobel had its release date on October 18, 2001. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 25 in the song's album "Schnittke: Music for the Movies". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Germany. In terms of popularity, Agony Suite (Arr. F. Strobel): III. Tango is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Agony Suite (Arr. F. Strobel): III. Tango by Alfred Schnittke, Rundfunk-Sinfonieorchester Berlin, Frank Strobel having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM | ||
| The Snowstorm: VII. Wedding ceremony | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | E Minor | 0 | 9A | 88 BPM | ||
| Stille Musik: I. Walzer des Augenblicks | Valentin Silvestrov, Munich Chamber Orchestra | A Minor | 0 | 8A | 60 BPM | ||
| The Old Fisherman's Song | Johan Halvorsen, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | E Minor | 1 | 9A | 175 BPM | ||
| Epigrammák (Epigrams): No. 1, Lento [arr. L. Lencses] | Zoltán Kodály, Lajos Lencsés, Budapest Strings | A♭ Major | 1 | 4B | 130 BPM | ||
| 2 Pieces for Strings from Henry V: No. 1, Passacaglia. Death of Falstaff | William Walton, English Chamber Orchestra, Julian Lloyd Webber | B♭ Major | 1 | 6B | 119 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen | F Minor | 0 | 4A | 100 BPM | ||
| Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
| The Census List Incidental Music, "Gogol Suite": III. The Portrait | Alfred Schnittke, Malmö Symphony Orchestra, Lev Markiz | D Minor | 1 | 7A | 174 BPM | ||
| Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 1 | 10B | 82 BPM | ||
| Bach mit Zumutungen | Víkingur Ólafsson, Roedelius, Thomas Rabitsch | A Major | 2 | 11B | 134 BPM | ||
| Suite im alten Stil, Op. 10: Presto | Christian Sinding, Henning Kraggerud, Razumovsky Symphony Orchestra, Bjarte Engeset | A Minor | 2 | 8A | 170 BPM | ||
| Mystery Sonata No. 1 "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | D♭ Minor | 1 | 12A | 133 BPM | ||
| Miserere, Op. 44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
| Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Marina Tarasova, Musica Viva Chamber Orchestra, Alexander Rudin | C Major | 4 | 8B | 107 BPM | ||
| 3 Sacred Hymns: 1. Hail Mary, Full of Grace | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 66 BPM | ||
| 2 Pieces, Op. 12: Dainele: Grave | Slovak Philharmonic, Mikalojus Konstantinas Čiurlionis | E Minor | 0 | 9A | 82 BPM | ||
| Bassoon Concerto in E minor, RV 484: 1. Allegro poco | Antonio Vivaldi, Klaus Thunemann, I Musici | C Major | 2 | 8B | 87 BPM | ||
| Die Walküre, Act I Scene 1: Prelude | Richard Wagner, Frank van Aken, Ain Anger, Terje Stensvold, Eva-Maria Westbroek, Susan Bullock, Martina Dike, Anja Fidelia Ulrich, Mona Somm, Eve-Maud Hubeaux, Bernadett Fodor, Christiane Kohl, Lisa Wedekind, Tanja Ariane Baumgartner, Monika Bohinec, Fran | F Major | 2 | 7B | 117 BPM | ||
| From Jewish Life: I. Prayer (Arr. for Cello & Orchestra) | Ernest Bloch, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | F Minor | 1 | 4A | 91 BPM | ||
| Soirées musicales, Op. 6: II. Notturno. Andante con moto (Version for Harp) | Clara Schumann, Magdalena Hoffmann | D Minor | 0 | 7A | 76 BPM | ||
| Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| 5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM |