Ramesh Kalawadiya's ' "Aur Dhaal Ki Sakal Hui" was released on its scheduled release date, December 16, 2024. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Aur Dhaal Ki Sakal Hui and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Aur Dhaal Ki Sakal Hui is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Aur Dhaal Ki Sakal Hui by Ramesh Kalawadiya is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| mai haryane ka chora | Bali Sharma | B♭ Major | 4 | 6B | 152 BPM | ||
| Meri Mat Rahan De | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| Baba Jii Bholii Bhaalii Shaan Kaa | Ramesh Kalawadiya | D♭ Minor | 9 | 12A | 133 BPM | ||
| Neche Chale Tank Carrer | Rajender Kharkiya | F Major | 6 | 7B | 156 BPM | ||
| Apne Hatha Mar | Master Satbeer Singh | A♭ Major | 7 | 4B | 133 BPM | ||
| K Bhadve Ki Dosti K Bero Ki | Master Satbir Singh | A♭ Major | 5 | 4B | 141 BPM | ||
| Meri Jhopdi Ke Bhag Aaj Khul Jayenge | Sandeep Siwana | B♭ Major | 7 | 6B | 106 BPM | ||
| Teri Aakhya Ke Paani | Rajendar Kharkiya, Bali Sharma, Ranbir Singh Badwasniya, Sunil | A♭ Major | 8 | 4B | 129 BPM | ||
| Dan Diye Thee Saas Sasur Ne | Azad Singh | D Major | 3 | 10B | 145 BPM | ||
| Jaagar - Gangnath | Nain Nath Rawal | B♭ Major | 9 | 6B | 109 BPM | ||
| Pabuji Ri Pad 3 | Maduram, Bhagaram | C Major | 6 | 8B | 113 BPM | ||
| Bol Sankariya Re | Gokul Sharma | B Major | 7 | 1B | 109 BPM | ||
| Duudh Owr Paanii Chhaan Ke Alag Kar Dyuungaa | Ramesh Kalawadiya | A♭ Minor | 10 | 1A | 110 BPM | ||
| Kaha Gaye Pase Kaha Gaya Beta | Satpal Dosa, Mainpal Baseda | G Major | 7 | 9B | 143 BPM | ||
| Gair Bir Ke Moh | Azad Singh | D Major | 3 | 10B | 145 BPM | ||
| Gaddya Me Ek Luhaari | Sunil Dujania | F♯ Major | 10 | 2B | 154 BPM | ||
| Wo Bholi Baba Ji Ki | Rajender Kharkiya | A Major | 8 | 11B | 157 BPM | ||
| Padmawat Gore | Karampal Sharma | E Minor | 4 | 9A | 129 BPM | ||
| Satsang Amar Jadi | Bhajnanand Ji Maharaj | A♭ Minor | 7 | 1A | 78 BPM | ||
| Har Baar Tumhara Chehra | Kumar Vishwas | G Major | 6 | 9B | 83 BPM | ||
| Ho Li Waar Bhateri | Azad Singh Khandakhedi | B♭ Minor | 7 | 3A | 78 BPM | ||
| Tera Bhawan Bhi Chhota Pad Gaya | Narendra Kaushik | F♯ Major | 9 | 2B | 83 BPM | ||
| Chodiya Bajaou Ki Bjaou Kangna | Deeksha Shastri | B Major | 9 | 1B | 97 BPM | ||
| Chalo Dekhan Ne | Sanwarmal Saini | C Minor | 8 | 5A | 132 BPM | ||
| Mane Godiya Le Lo | Mohan Singh | A♭ Minor | 10 | 1A | 110 BPM |