On October 16, 2009, the song "El Apache Argentino" was released by Analía Rego. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. El Apache Argentino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Un Siglo de Tango". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Argentina. El Apache Argentino is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With El Apache Argentino by Analía Rego having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ocean Breeze Bossa | Carioca Lounge | C Minor | 6 | 5A | 118 BPM | ||
| Despuntando el vicio | Roberto Aussel | E♭ Major | 0 | 5B | 78 BPM | ||
| Suite Española, Op. 47: IV. Cádiz | Joseph Sullinger | A Major | 3 | 11B | 93 BPM | ||
| Sonata del amor: IV. Plenitud | Julio Cesár Oliva | G Major | 3 | 9B | 87 BPM | ||
| Argentina | Analía Rego, Sonia Ursini | D Minor | 2 | 7A | 106 BPM | ||
| Sulle ottave | Maurizio Baudino | E Major | 1 | 12B | 70 BPM | ||
| B. Papandopulo: Three Croatian Dances, Moderato | Ana Vidović | F Major | 3 | 7B | 102 BPM | ||
| El Enzo | Roberto Calvo | A Major | 4 | 11B | 115 BPM | ||
| Tango for Django | Jens Hausmann | A Major | 3 | 11B | 68 BPM | ||
| Quatre Bagatelles en forme de suite cosmique, Marco Smaili. I Le depart: mi partida | Marco Smaili, Laura Verdugo del Rey | C Major | 1 | 8B | 165 BPM | ||
| Pueblero | Carolina Barenbaum | E Minor | 2 | 9A | 125 BPM | ||
| Concordancias: II Tranquilo | Walter Heinze, Victor Villadangos | E Major | 0 | 12B | 78 BPM | ||
| Alma Guaraní | Ernesto Méndez | A Minor | 2 | 8A | 125 BPM | ||
| Ojos brujos (Arr. for Guitar by Leo Brouwer) | Carolina Barenbaum | G Major | 1 | 9B | 154 BPM | ||
| Suave | Roman Ticker | F♯ Minor | 2 | 11A | 127 BPM | ||
| Prelude No. 3 | Dalit Raij, Shiri Coneh | B Minor | 2 | 10A | 161 BPM | ||
| Suite Granadina: Odalisca del Partal (Oriental) - Remastered | Manuel Cano | E Major | 3 | 12B | 104 BPM | ||
| No hay distancia | Javi de la Torre | E Major | 2 | 12B | 90 BPM | ||
| Nada | Pom Guitarist | C Major | 4 | 8B | 148 BPM | ||
| Un respiro sopra le tegole | Dolce Vita | G Major | 2 | 9B | 136 BPM | ||
| Palomita Blanca | Analía Rego, Paulina Fain | D Major | 1 | 10B | 79 BPM | ||
| Série Brasileira I - Serenata | Nonato Luiz | A Minor | 2 | 8A | 80 BPM | ||
| Nevando Esta | Adrian Patiño, Eduardo Falú, Jürg Kindle | E Minor | 2 | 9A | 125 BPM | ||
| Chamarrita del sauce | Agustín Luna | E Major | 3 | 12B | 121 BPM | ||
| Suite en La Menor: I. Preludio | Manuel Ponce, Raúl Zambrano | F Major | 1 | 7B | 92 BPM |