"Labored and Lost" by Lorne Balfe, Assassin's Creed had its release date on November 15, 2011. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Labored and Lost's duration is considered a little bit shorter than the average duration of a typical track. The song is number 26 out of 28 in Assassin's Creed Revelations, Vol. 2 (Single Player) [Original Game Soundtrack] by Jesper Kyd, Lorne Balfe, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. Labored and Lost is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Labored and Lost by Lorne Balfe, Assassin's Creed is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| Breaking In | Marcin Przybyłowicz | G Major | 4 | 9B | 75 BPM | ||
| Stealth | Winifred Phillips, Assassin's Creed | D♭ Major | 3 | 3B | 90 BPM | ||
| Geralt Of Rivia | Marcin Przybyłowicz | E Minor | 6 | 9A | 84 BPM | ||
| Abstergo Industries | Lorne Balfe, Assassin's Creed | D♭ Minor | 6 | 12A | 156 BPM | ||
| Off with Their Heads | Chris Tilton, Assassin's Creed | E Major | 4 | 12B | 150 BPM | ||
| Welcome to the Marauder Corps | Stephen Barton | D Minor | 5 | 7A | 180 BPM | ||
| Victory (feat. Julie Elven) - Part 1 - Motherland | Joris de Man, Julie Elven | D♭ Major | 3 | 3B | 121 BPM | ||
| Danza alla Daggers | Austin Wintory, Assassin's Creed | E Minor | 3 | 9A | 101 BPM | ||
| The Hunter | Lorne Balfe, Assassin's Creed | G Minor | 6 | 6A | 138 BPM | ||
| The Fortune of Edward Kenway | Brian Tyler, Assassin's Creed | C Minor | 6 | 5A | 125 BPM | ||
| Critical Article | Rupert Gregson-Williams, Lorne Balfe | E♭ Minor | 2 | 2A | 160 BPM | ||
| When Two Sides Go to War | Stephen Barton | A Minor | 4 | 8A | 85 BPM | ||
| I Have Faith in You - Goodbyes | John Ottman, Jeffrey Schindler, American Federation of Musicians | F Major | 0 | 7B | 79 BPM | ||
| Grazelands Dawn (feat. Jeremy Soule) | Brad Derrick, Jeremy Soule | G Minor | 2 | 6A | 141 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Bounden Duty | Rupert Gregson-Williams, Lorne Balfe | G Minor | 1 | 6A | 140 BPM | ||
| Ezio's Family - Mirage Version | Brendan Angelides, Assassin's Creed, Layth Sidiq | B Minor | 3 | 10A | 110 BPM | ||
| The Moon Over Mount Gorgon | Piotr Musiał | D Minor | 3 | 7A | 90 BPM | ||
| Mass Effect 3: a Future For the Krogan/An End Once and For All | Sarah Covey, London Philharmonic Orchestra | E Minor | 1 | 9A | 78 BPM | ||
| Legions of Blood | Sarah Schachner | D Major | 8 | 10B | 120 BPM | ||
| Lay Aboard Lads | Brian Tyler, Assassin's Creed | D Major | 7 | 10B | 112 BPM | ||
| Ezio's Family - Shadows version - softy Remix | Lofi Girl, Assassin's Creed, softy | F♯ Minor | 4 | 11A | 142 BPM | ||
| Winds of Cyrene | Sarah Schachner, Assassin's Creed | G Minor | 3 | 6A | 146 BPM | ||
| The Mighty Jarl Of Skellige (Legacy) | Marcin Przybyłowicz | B♭ Major | 7 | 6B | 80 BPM |