James Ingram's ' "Love Come Down" was released on its scheduled release date, 1989. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. The track order of this song in James Ingram's "It's Real" album is number 5 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Love Come Down is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Love Come Down by James Ingram to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Photograph of Mary | Trey Lorenz | C Major | 8 | 8B | 92 BPM | ||
| Let's Celebrate | Midnight Star | F Minor | 9 | 4A | 106 BPM | ||
| Let's Go All the Way | Average White Band | B♭ Major | 7 | 6B | 150 BPM | ||
| Bullseye | Lakeside | D Major | 5 | 10B | 131 BPM | ||
| You Owe It All To Love | Finis Henderson | G Major | 7 | 9B | 129 BPM | ||
| You're the Reason | D-Train | C Major | 3 | 8B | 139 BPM | ||
| Whatever | Gary Taylor | F Minor | 4 | 4A | 94 BPM | ||
| All I've Ever Known | The Deele | G Major | 4 | 9B | 119 BPM | ||
| I Promise Love | Vesta Williams | F♯ Minor | 5 | 11A | 76 BPM | ||
| After the Love Is Gone | Airplay | D♭ Minor | 4 | 12A | 127 BPM | ||
| Nameless | Colonel Abrams | F♯ Major | 5 | 2B | 92 BPM | ||
| Lovers | Finis Henderson | B Minor | 7 | 10A | 140 BPM | ||
| Are You The Woman - Digitally Remastered 1998 | Kashif | D♭ Major | 5 | 3B | 158 BPM | ||
| Love Come Near Me | Damian Dame | F♯ Minor | 7 | 11A | 152 BPM | ||
| Let Me Show You What Love Is | Glenn Medeiros | C Major | 6 | 8B | 148 BPM | ||
| By Heart | Michael McDonald | C Major | 5 | 8B | 111 BPM | ||
| She Just Don't Know | Steve Arrington | G Minor | 5 | 6A | 113 BPM | ||
| Ice Melts Into Rain | James Williams | C Major | 5 | 8B | 133 BPM | ||
| Table For Two | Colonel Abrams | E Major | 2 | 12B | 175 BPM | ||
| Private Times | Al B. Sure! | D♭ Major | 6 | 3B | 115 BPM | ||
| All | Kashif | F♯ Major | 3 | 2B | 161 BPM | ||
| Back in Love | Jeff Lorber | D Minor | 7 | 7A | 79 BPM | ||
| One in a Million You | Larry Graham | B♭ Major | 2 | 6B | 71 BPM | ||
| Treat Her Right | James Ingram | A Minor | 5 | 8A | 160 BPM | ||
| Imaginations | Miki Howard | C Minor | 2 | 5A | 69 BPM |