"Behind the Void" by Liturgy had its release date on 2009. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "Renihilation". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Behind the Void is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Behind the Void by Liturgy having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Stays Demons | Nadja | F Major | 5 | 7B | 121 BPM | ||
| Visceral Ends | Ulcerate | A♭ Major | 9 | 4B | 122 BPM | ||
| Wretched Wisdom | Krallice | G Major | 10 | 9B | 127 BPM | ||
| Kel Valhaal | Liturgy | A Major | 9 | 11B | 120 BPM | ||
| Face | Chat Pile | F♯ Major | 9 | 2B | 74 BPM | ||
| I Don't Care Where I Go When I Die | Gaza | E Minor | 8 | 9A | 101 BPM | ||
| Wanderings | The Body | D♭ Minor | 4 | 12A | 90 BPM | ||
| From Palaces of the Hive | Imperial Triumphant | B♭ Minor | 9 | 3A | 117 BPM | ||
| Not Good Enough | Uniform, The Body | A Major | 5 | 11B | 119 BPM | ||
| As A Womb | Altar Of Plagues | C Major | 6 | 8B | 150 BPM | ||
| Why | Chat Pile | A♭ Minor | 10 | 1A | 151 BPM | ||
| Flatlines Encircled Residue | Krallice | A Major | 10 | 11B | 134 BPM | ||
| Daiitoku-Myōō no Ōdaiko | Neptunian Maximalism | C Major | 8 | 8B | 151 BPM | ||
| Needles in Your Skin | Oathbreaker | E Major | 9 | 12B | 119 BPM | ||
| Feather And Bone | Altar Of Plagues | C Major | 8 | 8B | 150 BPM | ||
| Angel of Individuation | Liturgy | A Minor | 2 | 8A | 77 BPM | ||
| No Rest for the Weary | Oathbreaker | D♭ Minor | 9 | 12A | 148 BPM | ||
| EXACO III | Liturgy | B♭ Major | 2 | 6B | 149 BPM | ||
| Hell to Pay | Converge | A Major | 7 | 11B | 103 BPM | ||
| II. A Semblance Waning | Mizmor | E Major | 5 | 12B | 111 BPM | ||
| The Law of Asbestos | Ashenspire | F♯ Minor | 10 | 11A | 148 BPM | ||
| Volcanic Birth | Dragged Into Sunlight | C Major | 9 | 8B | 150 BPM | ||
| The Parasite | Swans | D Major | 3 | 10B | 133 BPM | ||
| Maximalist Scream | Imperial Triumphant | F Minor | 9 | 4A | 118 BPM | ||
| Mouvement - The Smoke of Her Burning | The Angelic Process | B♭ Minor | 4 | 3A | 100 BPM |