"Elevator Days" by Mixtapes had its release date on 2013. The duration of This song is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Elevator Days's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Ordinary Silence". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Elevator Days's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Elevator Days by Mixtapes having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'd Make a Good Horsecop | The Dopamines | B Major | 10 | 1B | 102 BPM | ||
| Midnight Hour | Broadway Calls | B♭ Major | 10 | 6B | 180 BPM | ||
| Please, Head North. | Transit | A♭ Major | 10 | 4B | 156 BPM | ||
| Harbours | Forever Came Calling | D♭ Major | 10 | 3B | 103 BPM | ||
| Bed Sores | Fireworks | C Major | 9 | 8B | 152 BPM | ||
| Yes, I Can't | Devon Kay & The Solutions | F Major | 9 | 7B | 173 BPM | ||
| Cheapness | Mixtapes | E Major | 10 | 12B | 113 BPM | ||
| Lassies Last Dance | Daggermouth | A♭ Major | 9 | 4B | 105 BPM | ||
| KKK Highway | Spraynard | A Major | 10 | 11B | 96 BPM | ||
| Kaleidoscopes | Major League | A Major | 9 | 11B | 183 BPM | ||
| The Saddest Girl to Ever Hold a Martini | The Holy Mess | B Major | 10 | 1B | 117 BPM | ||
| Recovery | Handguns | D Major | 10 | 10B | 105 BPM | ||
| Twenty Seven | Major League | A♭ Major | 9 | 4B | 174 BPM | ||
| Emergency House Party | American Steel | C Major | 4 | 8B | 104 BPM | ||
| I'm Like | Mixtapes | B Major | 5 | 1B | 89 BPM | ||
| C.C.S. | Mixtapes | D♭ Major | 9 | 3B | 183 BPM | ||
| Drop Out Of Life | This Time Next Year | F♯ Major | 10 | 2B | 185 BPM | ||
| Seventeener (17th and 37th) | The Lawrence Arms | E Major | 9 | 12B | 93 BPM | ||
| A World That We Never Made | Dear Landlord | B Major | 10 | 1B | 157 BPM | ||
| Charlie Birger Time | The Copyrights | C Major | 10 | 8B | 111 BPM | ||
| Be All That You Can't Be | Broadway Calls | D Major | 10 | 10B | 173 BPM | ||
| Buzz | Lemuria | D Major | 8 | 10B | 116 BPM | ||
| Sing it Again Rookie Biatch | Daggermouth | A♭ Major | 10 | 4B | 109 BPM | ||
| Fireplace | Sincere Engineer | A Major | 5 | 11B | 138 BPM | ||
| One for the Ozarks | Mixtapes | B Major | 10 | 1B | 108 BPM |