Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra's 'Giselle: No. 5 - Allegro' had a release date set for 1987. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Giselle: No. 5 - Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 33 in Adam: Giselle by Adolphe Adam, Michael Tilson Thomas. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Giselle: No. 5 - Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Giselle: No. 5 - Allegro by Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Locus iste | Anton Bruckner, Choir of St. John's College, Cambridge, Andrew Nethsingha | B Minor | 1 | 10A | 137 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Paquita: Variation 1: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
| Faust, CG 4, Ballet Music: VI. Variations du miroir. Allegretto | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
| Die lustige Witwe (the Merry Widow): The Merry Widow Waltz [arr. R. Hayman] | Franz Lehár, Richard Hayman Symphony Orchestra, Richard Hayman | D Major | 1 | 10B | 126 BPM | ||
| La bayadère: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 98 BPM | ||
| Dolly Suite, Op. 56 (arr. H. Rabaud): I. Berceuse | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E Major | 0 | 12B | 70 BPM | ||
| 3 Preludes Founded on Welsh Hymn Tunes: II. Rhosymedre. Andantino (Arr. for Orchestra by Arnold Foster) | Ralph Vaughan Williams, Britten Sinfonia, Benjamin Nicholas, Choir of Merton College, Oxford | A♭ Major | 1 | 4B | 64 BPM | ||
| Prelude: 49th Parallel | Ralph Vaughan Williams, Northern Sinfonia of England/Bradley Creswick/Richard Hickox, Richard Hickox, Northern Sinfonia Of England | G Major | 1 | 9B | 84 BPM | ||
| Giselle, Act 2: No. 20 Giselle's Variation | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | E♭ Major | 1 | 5B | 88 BPM | ||
| Carnival of the Animals, R. 125: Aquarium | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma, Michel Cerruti, Michel Cals, Régis Pasquier, Yan Pascal Tortelier, Gabin Lauridon, Gerard Causse, Alain Marion, Michel Arrignon | A Minor | 0 | 8A | 81 BPM | ||
| Much Ado About Nothing, Op. 11, Suite: IV. Intermezzo "Garden Scene" (Arr. Spindler for Violin & Orchestra) | Erich Wolfgang Korngold, Bomsori, Bamberger Symphoniker, Jakub Hrůša | B♭ Major | 1 | 6B | 173 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | B♭ Major | 1 | 6B | 75 BPM | ||
| In the Bleak Midwinter | Gustav Holst, Zurich Chamber Singers, Christian Erny | A Minor | 4 | 8A | 66 BPM | ||
| Aufforderung zum Tanz, Op. 65 (Orch. Berlioz) | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
| Romeo and Juliette, Op. 64 (Arr. for Viola and Piano by Vadim Borisovsky, Orchestration for Viola and String Orchestra by François Vallières): Introduction | Sergei Prokofiev, Elvira Misbakhova, I Musici de Montréal, Jean-François Rivest | D Major | 1 | 10B | 99 BPM | ||
| V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
| Deux Arabesques, L. 66: No. 2 in G Major, Allegretto scherzando | Claude Debussy, New European Ensemble, Felicia van den End, James Meldrum, Astrid Haring, Emlyn Stam, Willem Stam | G Major | 1 | 9B | 136 BPM | ||
| Sylvia: Act III: Divertissement: Variation - Valse | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | E♭ Major | 1 | 5B | 97 BPM | ||
| Giselle, Act 2: No. 18 Giselle and Albrecht Pas de deux | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
| The Merry Widow: V. Vilja | Franz Lehár, Carl Davis, Munich Symphony Orchestra | B♭ Major | 1 | 6B | 123 BPM | ||
| Angels in the Bleak Midwinter | Larry Clark, Loren Li, Sartartia Middle School Orchestra, Ann Victor | F Major | 2 | 7B | 73 BPM | ||
| Natus Es Parvulus (douce Nuit) | L'Accroche-Choeur, Ensemble Vocal Fribourg | D Major | 1 | 10B | 135 BPM |